A woman’s movements when in her kitchen need no interpretation; they are like the musician’s movements when he is playing his instrument, like those of a painter as he sits in front of his canvas. No words are required to understand.
Les gestes d’une femme dans sa cuisine sont immédiatement intelligibles, comparables un peu à ceux du musicien qui joue d’un instrument, à ceux du peintre devant sa toile. Nul besoin de paroles alors.
—Anne Bragance, Un goût du soleil
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