Food Art: Tiramisù, food photography by Alessandro Boscolo Agostini
Bio of Alessandro Boscolo Agostini
My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?
Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.
Today, I rob with no qualms, and I confess it with no shame. My spoils are my sensations, emotions, lines, colours, compositions: I catch everything that stops in front of my camera, I catch it with a click to close it in a graphic cage. It doesn’t matter if its a catalogue or a magazine. What I’m really interested in is the look, my view of the world. In the millions of images that pass in front of my eyes every day, that go on around me, that chase me in my silence. For this reason I photograph subjects of any kind and still do it every day without specializing in anything in particular. From a luxury hotel suite, to the sexy transparencies of Murano glass. From art exhibitions to a ballet. From a golf course to actors on a stage. The list can go on and on, while this bio must finish here. I hope that I haven’t once more been a thief, that I haven’t taken up to much of your time. If this was the case, please don’t report me to the police, because I will give myself immediately up: I’m Alessandro Boscolo Agostini!