Food & Wine Tasting Masterclass, Chartres, France

Published by Wednesday, July 30, 2014 Permalink 1

Food and Wine Tasting Masterclass in Chartres, France

18 – 21 SEPTEMBER 2014

Exploring the Food and Wine of the  Beauce and the Loire Valley

with James Flewellen and Jonell Galloway

Through a series of tutored workshops, this 4-day weekend workshop will help unlock your tastebuds and introduce the richness of aromas, flavors and textures present in food and wine. Our exploration is enabled through local food from the Beauce and wine from the Loire Valley and coincides with the Chartres Festival of Lights and the Autumnal Equinox.

For course details click here and to make your reservation click here.

Contact: info@tasteunlocked.com.

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Tackling Obesity through Food Relationships

Published by Thursday, April 10, 2014 Permalink 0

Jonell Galloway, Writer, Editor and Translator

Swiss Food

 

 

 

 

 

 

 

 

 

 

by Jonell Galloway

I was recently interviewed for a Swiss Info documentary called “Finding the Right Food Formula.” In the context of recent childhood obesity figures in Switzerland, Veronica De Vore is exploring the Swiss relationship to food and how that might have changed, how it might be related to the rise in childhood obesity.

Click here to listen to the show. I cooked a Kentucky Fried Chicken feast for Veronica, while discussing the more serious matter of relationships to food in the context of my work in mindful eating. (The article also includes an abridged recipe for my grandmothers’ traditional Kentucky Fried Chicken.)

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The Many Names for Tamales

Published by Friday, February 28, 2014 Permalink 0

 

The Many Names for Tamales

by Lenny Karpman

Now that Christmas and the New Year have passed, my neighbors here in Costa Rica are putting away lights, ornaments, Styrofoam snowmen, straw reindeer and faux pine trees. For the family Sunday mid-day meal many are dining on tamales.

 

MasaHarine

 

 

Tamales are stuffed cakes of corn dough, masa harina, wrapped and steamed. In Costa Rica, they are an art form as well as a common food. Tamale making is a seasonal family affair. Multiple generations of family cooks assemble pork or chicken, vegetables – mostly carrots and peas, and herb fillings artistically in rectangular packets of freshly made cornmeal, wrap them in folded plantain leaves and tie them decoratively with reeds or twine. They are traditionally given to neighbors at Christmas. It is an economical and egalitarian way for friends to exchange similar thoughtful gifts without the adversarial “can you top this” attitude that pervades gift giving in some other cultures.

Homemade tamales

 

 

 

 

 

 

 

 

In Colombia and Venezuela, they are called hallacas and may contain raisins or olive pieces. In Mexico, they are wrapped in dry corn- husks. Cuban tamales are fluffier and spicy. When the same ingredients are layered and baked without a wrapper, the result is tamale pie. Tex-Mex tamale pie usually is laced with red and green chili peppers.

Hallaca Leaves Drying (CC)

Hallaca leaves drying to make Venezuelan version of tamales

 

 

 

 

 

 

 

 

 

 

Tico (Costa Rican) tamales freeze well. They are most often tied together in groups of four. Tamales are steamed or simmered before eating, but they can go from freezer to table via the microwave in about two minutes and rekindle holiday warm fuzzy feelings and a delicious sense of community. Buen provecho and a happy and healthy 2014.

 

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Gareth Jones is In Search of Taste

Published by Thursday, January 30, 2014 Permalink 0

Gareth Jones is In Search of Taste

by Jonell Galloway

Gareth Jones, editor of In Search of Taste

Gareth Jones, editor of In Search of Taste

 
 
 
 

 

 

 

 

 

 

 

 

 
 

 
 

 

Gareth has an incredible network of people who follow his every move. His whole family – and most of his friends — share his fervor for food. His dedication to an honest cuisine is matched by few. He is the epitome of what the French call “passionné”: unfaltering in his eternal search for the best quality ingredients at a fair price; willing to go to distant places and lose countless hours of sleep to find the perfect products. Whether it’s cooking and scrubbing pans with a Nonna in a hidden corner of Italy or crossing the Channel on a Sunday morning to buy fresh shellfish in Boulogne – to be served up fresh on his lunch table in London — his devotion to his “cause” is virtually boundless.

But Gareth’s blood can run hot when it comes to food and his vision of it. He is lucid about what he likes and what he doesn’t like and his sense of ethics and justice make him look on this world like the Egyptian goddess Ma’at with her scales of justice, weighing the “hearts” of products to decide whether they are balanced and good enough to go to his version of food heaven.

Ma'at Scales of Justice, Heart

Gareth Jones’s tastes were not formed overnight. He grew up on a farm in Wales, in the middle of fragrant orchards and gardens. The surrounding woods and pastures were his playground. He is a man of the earth. The scents, tastes and sensory experiences of these days gone by make up an essential part of who he is and how he relates to the world, in particular to food: rustic yet refined, never losing sight of his roots.

Gareth lives through his senses. Proust may put some to sleep, but no one better describes the degree to which all the senses awaken when recalling taste http://www.theramblingepicure.com/full-sensory-taste-and-proust/. As Scott Horton http://harpers.org/blog/2009/06/proust-memory-and-the-foods-of-childhood/ points out, Proust explored this long before neurogastronomy even existed, and so did Gareth Jones, in the woods and fields and pastures of his happy hunting ground called Wales.

When from the distant past nothing remains, after the beings have died, after the things are destroyed and scattered, still, alone, more fragile, yet more vital, more insubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of everything else; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the immense architecture of memory.

Yet again I had recalled the taste of a bit of madeleine dunked in a linden-flower tea which my aunt used to give me (although I did not yet know and must long await the discovery of why this memory made me so happy), immediately the old gray house on the street where her room was found, arose like a theatrical tableau…

Marcel Proust, Du côté de chez Swann (1913) in: À la recherche du temps perdu vol. 1, p. 47

Proust's face engraved on a Madeleine

Proust’s face engraved on a Madeleine

 

 
 

 
 

 
 

 
 

 
 
 

 

Gareth is a living temple of Proust’s perception of the sensory experience that is life, with food as its altar. His devotion is boundless, and he surrounds himself with writers who share his zeal and dedication. There’s no better recipe for editing a food magazine.

Yet, there’s a lot of country gentleman mixed into his formula, which takes him a long way from Proust’s decadence. Thus the term he coined, “Blue Collar Gastronomy,” inspired by a visit to the Leclerc supermarket in Boulogne-Outreau – “often frequented by working class people the majority of whom are below average education and a town where unemployment is in the high teens if not +20%,” says Jones. As he was filling his trolley, he noted how intelligently and carefully the locals were filling theirs. You might never have known it was a poor, run-down, even sad, place if you looked at the contents, fit for a minor Roman feast.

The smells and tastes of the world have indeed been poised for a long time in Jones’s mind, but time has not been lost. His life has been a fine weave of the senses and food, which makes for dishes that have real taste, that are authentic and lacking all pretentions. He is a master at finding the crème-de-la-crème for even the simplest food purchase, even a chicken carcass for making soup and broth. In the words of Pete Seeger, “Any darn fool can make something complex; it takes a genius to make something simple.” And this is what Gareth Jones has understood and mastered.

Gareth Jones Poulet de Bresse in Villars-sur-Ollon, Switzerland

 

 
 

 

 

 
 
 

 

 
 

 

 

 

 

On a sunny day in August, Gareth made poulets de Bresse, the prince of all chickens. He and his family had made a special detour to Bresse on their drive from London to our mountain home in Villars-sur-Ollon just to buy the chickens. To start the work, he put on his chef’s hat and apron – the one you see in all the photos — only to spend hours in the kitchen, smiling and giggling at their beauty all the while, patting them on the breast as if they were a much-loved child. His treatment of the “little princes” was itself princely and full of the respect they deserve. You would have thought it was a beast epic and that they were whispering to the chef, giving him instructions on how to proceed, but no. Gareth is the chicken whisperer and knows what they want and need. He knows the beauty of keeping it simple and letting the natural tastes come to the foreground. Bresse chickens will never be the same.

Gareth’s personal website: Gareth Jones FoodHis new glossy magazine: In Search of Taste

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Swiss Food: Fribourg-style Saffron Bread

Published by Friday, January 24, 2014 Permalink 0

 

Swiss Food: Fribourg-style Cuchaule: Saffron Bread to Eat with Your Bénichon Mustard

by Jonell Galloway

From the archives

In my article, Bénichon Mustard, A Fribourg Specialty to Welcome the Cows Coming Home a few days ago, I talked about the brioche-like saffron bread cuchaule which is traditionally eaten with Bénichon mustard during the Bénichon fall fair in Fribourg, Switzerland.

I translated this recipe from the Delimoon site from the French and adapted it.

Photo courtesy of Moja Kuchnia with authorization.

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The Real Facts about Calories in Junk Food vs. Real Food

Published by Tuesday, January 14, 2014 Permalink 0

by Jonell Galloway

Here are all the facts you need to know about how your body uses the calories from junk food in comparison to those from real food. This article is a fascinating read, and a keeper! See Precision Nutrition.

Here’s an excerpt:

 

Fast food and apples What Are Your 4 Pounds Made Of?

Remember:

  • Real food regulates appetite – so you don’t overeat
  • Real food controls blood sugar/insulin – so you can avoid energy swings and diabetes
  • Real food provides the best nutrition – so you can remain healthy for life
  • Real food has a sane amount of energy – so that you can’t accidentally overeat
  • Real food has a longstanding relationship with our body – so that our bodies know what to do with it

 

 

 

 

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Sauce for Thought: A Brief History of Spices that Serve as Natural Food Coloring

Published by Saturday, January 11, 2014 Permalink 0

Sauce for Thought: A Brief History of Spices that Serve as Natural Food Coloring

Spice Rack

The catnip ice cream was a pale green, like one of those hundreds of mysterious white paint chips at the hardware store. You are drawn to a white paint chip that appears to be somewhat greener than the other white paint chips. Squinting under the fluorescent lights, you take the paint chip outside to see if the color is different under natural light but there it is again, that lurking feeling that this white chip is really sort of green. That is the subtle coloration of catnip ice cream as well. It is, well, not quite like plain vanilla.

The waiter had notified us, in his endless confusion of specials, that the ice cream flavor of the day was “calamint” and so we ordered a couple of servings to share. The company round the table became animated as each person in turn tasted the ice cream and recognized the flavor of the rangy herb growing wild by the back gate, a favorite of cats worldwide. The flavoring of the novelty ice cream described as “calamint” was actually catnip — and we all had a good laugh, at least until the bill came. In retrospect, the laughter and the memory, and the bonding experience for all of us at the table, merited a high price. Would I order “calamint” ice cream again? Probably not.  Will I repeat the same story over and over again to the annoyance of my family? Absolutely! We ate Catnip Ice Cream at a fancy restaurant and paid for the privilege – can you believe it? Catnip is fuzzier than the other “food-grade” mints like its invasive cousins peppermint or spearmint. It grows taller in an out-of-control way, has a fleshier stem and a lighter colored leaf. The saw-edge of the leaves and the furriness make the leaves look more like nettles than like true mint. That should be a clue that this leaf does not belong in ice cream.

mints and catnip by Alice Deluca

Garden mint, Thai mint, Catnip

There are other odd-tasting food ingredients that are used very specifically for certain culinary purposes. For example, there are a host of ingredients used mostly for coloring such as cochineal (made from scale insects that live on cactuses), annatto (a seed), turmeric (a root), and saffron (from a flower). In small quantities these items brighten foods and make the visual presentation more interesting. However, if a super-sized portion of any of these ingredients is added to food, especially to bland foods (like desserts), the result may be unpleasant and unexpected. “Natural” as these colorings ma be, they can taste weird when they are in the wrong place. Starbucks has been in the news recently for using cochineal coloring in its drinks. Bugs in your drink? Maybe that’s not what vegans want to hear, but bugs have been coloring human food for thousands of years. Ada Boni, in Regional Italian Cooking, notes a recipe for a sort of bread that is flavored and colored with an ancient Italian liqueur called Alkermes (or Alchermes), dyed with a weird insect, not a beetle but a scale insect. To make this bread, the dough is mixed until the color from the liqueur is evenly distributed – a thorough saturation of bug DNA in your bread. Search today’s interweb and you will find people looking for “food grade cochineal” with which to fabricate their own Alkermes  for use in Zuppa Inglese, as they find the liqueur difficult to obtain in the United States for some reason. Cochineal and the other great red bug juice from Kermes have been used to color drinks since Biblical times, according to the entry for “Kermes” in the Encyclopedia Americana (copyright 1962). “Kermes refers to the red gall-like bodies of female scale insects (coccids). Kermes ilicis of the order Hemiptera, source of a red dye known as grain, granum tinctorium, and alkermes, since the time of Moses. The adult females have no legs, but a hard epidermis, are spherical in shape and bright red. They live on twigs of the Kermes oak, Quercus coccifera, a sturdy evergreen shrub or tree, 12 to 20 feet high, found in southern Europe, Asia Minor, and North Africa, and resemble cynipid oak galls. The dye derived from Kermes iliciswas superseded by the more brilliant cochineal after the latter was discovered in Mexico by the Spanish in 1518.”So first there was Kermes, and then Cochineal became a colorant of European cooking in the 16th century. The elixirs that were made from these marvelous insects were considered both lovely and medicinal. They were “natural” and at that time they were ‘organic” too. What could be more natural than products made from a pulverized creature living parasitically on an oak tree or cactus? And how much more attractive for the sick to contemplate a draught of spicy, vivid red liqueur than a small, sterile, modern pill. Perhaps the liqueurs did not solve any of the biological problems of illness, but they must have been somewhat comforting. Wouldn’t it be wonderful if today’s medicines were more like the magical drinks that Alice in Wonderland finds when she is down the rabbit hole? Which would you rather have: a tiny pill that holds no flavor magic and sporting an irrelevant and meaningless name, or a medicine that tastes like “a sort of mixed flavor of cherry-tart, custard, pineapple, roast turkey, toffy, and hot buttered toast” in a bottle with “a paper label with the words ‘Drink Me’ beautifully printed on it in large letters. [ii]” So how does a food conglomerate win, when bugs are off the menu? Colorants like the old cancerous villain “red dye No. 4” or the modern red dye #40 (apparently made from coal) are eyed with deep suspicion by folks interested in natural foods, but chemical dyes solved the historic problem of “fixing” red dyes so that the color remains true over time. Red dyes from beets, red onion skins etc. are notorious for fading and turning brown as they age. Ask a knowledgeable quilt-maker about “turkey red” and they will tell you about the historic challenge of procuring permanent red fabric dyes. Purchase a bottle of Pomegranate liqueur, keep it on the shelf for a few years and you will notice that the red color fades to browner hues. There are a few “natural” and plant-based options for coloring food in the orange-red range. Annatto is made from Achiote seeds  and is a key ingredient in certain Latin food flavoring mixes. The seed can be purchased for only a few pennies per teaspoon. Annatto is the seed of an evergreen plant (a plant that does not shed its leaves seasonally.) Added to hot oil, the seeds leave behind their bright color and very little flavor. The oil keeps for quite a while in the refrigerator and can be used for soups, stews, sautés etc. It is only necessary to fry the seeds a very short while – so that they release their color but do not burn. The seeds themselves are thrown away. In its dry form, the surface of the achiote seed, where the red coloring resides, has almost no taste.

Annatto or Achiote Seeds by Alice DeLuca

Achiote Seeds in a Japanese mortar

The turmeric root (curcuma longa) is a beautiful little root about the size of a finger, and, when in its root form, its inside is the gorgeous color of a deeply orange carrot. Frozen turmeric root is available in Asian grocery stores and lately it is appearing fresh in national chains that focus on healthy and organic food. When dried and pulverized, turmeric has the same hue as a Thai mussuman curry or any of the commercial curry powders. It is a component of French’s mustard and it stains everything it touches, including food-grade plastic and expensive items of clothing. If you indulge in a food coloring taste test, which of course is necessary at some point in your life, the turmeric will color your tongue strangely. Be prepared to offer explanations every time you open your mouth. It will dye your fingernails an unattractive yellow color too. Would turmeric be appropriate for coloring custard or cupcake icing? Probably not, because of its earthy bitterness and strong, stinkbug aroma.

Fresh Turmeric and Powder by Alice DeLuca

Turmeric Root and Turmeric Powder

The Color of Turmeric - Alice DeLuca

Fresh turmeric juice and dried turmeric powder

Saffron is in a class by itself. The gold standard of this type of coloring, saffron made from the stigma of a pretty little purple crocus is the flavoring and coloring agent of the culinary “1 percent” because it is so very, very expensive. It makes an excellent gift since it takes up almost no space, is easy to put away, and does not need to be dusted. Saffron has been precious since ancient times; it is mentioned in the Song of Solomon and was cultivated in England in the 15th century[i]. These days, it is possible to purchase saffron crocuses for the home garden so anyone with a small plot of land could theoretically experiment with growing and harvesting saffron at home. Those who play with flowers know that the inside of a flower has interesting properties and will sometimes stain your hands or clothes. You may be tempted to ditch your career and go in to the saffron farming business. What could be simpler than plucking the stigma from crocuses and hoarding them in your cupboard? Here’s the problem — a single ounce of saffron requires 4,000 stigma, and at 3 stigma per flower the whole front lawn would have to be completely sown with crocuses to yield a crop. Each day, you rise before dawn to pick a few tiny pieces from the blooms of that day, to dry and store. Perhaps this career path is not practical and it is best to “keep the day job.”

Asafran - saffron - Alice DeLuca

Saffron threads next to their bottle

Saffron has a flavor that lends itself to both sweet and savory dishes.  You can smell the powerful aroma of saffron right through the cork. It is prized especially for coloring rice dishes and is superb as an addition to mango ice cream, rendering the ice cream a deeper orange color and adding an odd, woodsy flavor.  Although mango ice cream is good without saffron, mango-saffron ice cream is also excellent, and once you try it you will notice the saffron edge to the flavor and miss the saffron when it is absent. To make a mango-saffron ice cream that is somewhat less sweet than commercial ice creams,  combine,  puree and chill the ingredients in this recipe, then freeze the mixture in an ice cream maker. Mangoes are highly fibrous, with an almost hairy texture, so be sure to puree thoroughly. Any type of mangoes can be used, but they should be perfectly ripe or the flavor will have a sour edge. Notes: this easy formula does not require pre-cooking, and the sugar can be reduced by one tablespoon. I could write an entirely different article addressing the whole color spectrum of natural colorings – a their own Alkermes of ice cream colors is available, and perhaps some enterprising dessert chef will offer a color wheel sampling or crayon-shaped servings of ice cream in the near future. Yellow – mango, saffron, French vanilla with egg yolk, lemon, corn, passion fruit (lilikoi) Orange – apricot, peach, carrot cake, pumpkin pie Red – Pink – hibiscus, raspberry, cherry, strawberry (add cardamom or cayenne pepper), guava Blue-Purple –blackberry, plum, currant, wild blueberry (for a stunning blueberry ice cream see Nick Maglieri’s Perfect Light Desserts) Green –avocado, ground pistachio, pandanus leaf, mint White – vanilla, ginger, honey, banana, coconut Brown – chocolate, caramel, cinnamon, coffee, dulce de leche, maple, nuts Regarding catnip: the pale green leaves of catnip are perfect for your cat’s salad bowl but not for the dessert tray.


[i] Ingersol, Helen. “Saffron.” Encyclopedia Americana. Vol. 24. New York, NY: Americana Corporation, 1962. 104-05. Print. [ii] Carroll, Lewis (1865). Alice in Wonderland.
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Potatoes: Endless Varieties in Switzerland

Published by Sunday, September 29, 2013 Permalink 0


Potatoes: Endless Varieties in Switzerland

by Jonell Galloway

Potatoes: an essential part of the traditional Swiss diet

If there’s one thing we have plenty of in Switzerland, it’s potatoes. I didn’t even like potatoes before I came here and discovered all the subtle differences of texture, taste and all the ways of using them in cooking.

Potatoes are an essential ingredient in almost any traditional Swiss meal. This year’s crop is already starting to show up in local markets.

Large Number of Varieties of Potatoes in Switzerland

The official 2007 Swisspatat list (provided by Agridea, the Swiss agricultural research station) includes 31 different varieties, along with lists for various seasons and types of potatoes, as well as recipes for everyday use as well as for special occasions.

You can take a look at the 31 varieties in the table at the bottom right on the last page of the Swisspatat article to get an idea of which potatoes to look for at what time of the year.

Different Types of Potatoes for Different Uses

There are basically 4 types of potatoes, according to Swisspatat:

  1. Firm or “salad” potatoes. These potatoes do not burst open when cooking. They are moist, fine-grained and not mealy, and can be used in most dishes, with the exception of mashed potatoes and purées.
  2. All-purpose medium-firm potatoes. The skin on these potatoes opens only slightly on cooking. They are somewhat mealy, on the dry side, and have a fine, grainy texture. They are tasty and can be used for most all purposes.
  3. Mealy potatoes. These potatoes burst when cooked, but they are tender, mealy and rather dry. They have a large grain and strong taste and are used mostly for industrial purposes.
  4. Extra-mealy potatoes. These are basically not for cooking and are used for feeding livestock or to make starch, due to their dryness and hard texture.

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Saffron Culture: A Pictorial Cycle on Santorini, Part I

Published by Wednesday, September 25, 2013 Permalink 0

by Elatia Harris

OLYMPUS DIGITAL CAMERA

The Saffron Gatherer — one of many girls climbing hills to gather saffron, in Xeste 3, ca. 1750 B.C.E., a large public building in Akrotiri, on Thera (or Santorini). Restoration by painter Thomas Baker.

Part One in a series of articles on aspects of saffron. Photos under the title and below, of wall paintings from the excavated areas of Thera (also called Santorini), are taken from a magnificent site that has expired off the Internet, www.therafoundation.org.

How Far Back Does Saffron Use Go?

images

50,000 years ago in Western Asia, wild-gathered saffron was rubbed onto sacred stones on hilltop shrines. The sun picked them out, and they shone. Millennia later, saffron gave color, radiant in torchlight, to cave paintings in Iraq. Only relatively recently has the saffron crocus been cultivated, the spice valued as a flavoring for food. Before that, it was a ritual substance, a powerful medicine to relieve melancholy and other ills, and a dye for the clothing of high-born women. The association of saffron with female sexuality is long and intimate, referenced in the Song of Songs, in Homer and in Ovid.

The First Pictorial Record of Saffron and Saffron Culture

Where did the wild saffron crocus first appear? There are competing theories, but it’s down to Central Asia and Greece. Where was it first cultivated? In Greece. Saffron is the dark red thread linking many ancient peoples, and the first pictorial record of it was made in the Cyclades, on the island of Thera – more usually called Santorini – in the Late Bronze Age.

Until 1967, when the excavations of Prof. Spyridon Marinatos began bringing it to light, the clock had been stopped on the settlement of Akrotiri, on the Aegean island of Thera, for about 3,600 years. Volcanic ash from the Thera Eruption, the largest geological event of ancient times, had both destroyed and preserved the town, setting it apart from history for a very long time.

river1

A riverscape, from Akroitiri on the Island of Thera — 1800-1700 BCE

Akrotiri_minoan_town

A townscape on the harbor, Akrotiri. 1800-1700 BCE

In the centuries leading up to the eruption, dated around 1650 BCE, Thera was a dolphin-girt paradise, the southernmost island in the Cycladic arc, 70 miles north of Crete. Though Cycladic culture is not quite Minoan, material culture on Thera was rich in Minoan influence, and, through trade, in the influence of Dynastic Egypt. When the language of the Minoans, the tormenting Linear A, is at last understood, more will be revealed. For now, research must be conducted without history’s most ardent kiss — language that we can read.

A German map of the Cyclades and Crete, with Thera (here called Santorini) dead center. Wikimedia Commons

A German map of the Cyclades and Crete, with Thera (here called Santorini) dead center. Wikimedia Commons

phaistos-disc_pieces

The Phaistos Disc, key to the language used by Minoans and Therans

Thanks to the same geothermal activity that would one day disastrously increase, hot water ran in pipes through the multi-storied houses of Akrotiri, Thera’s big town. Ventilation was understood, with light wells sunk in blocks of dwellings. Then as now in the Mediterranean, staples were stored in gigantic ceramic jars – olive oil, grain, dried figs. There was intricate and characteristic jewelry and there was perfume — of coriander, almonds, bergamot and pine. Weaving was so fine that garments could be woven sheer and then embroidered. In the harbor, resinated linen covered the hulls of ships long enough for 30 oarsmen. There were blue-toned vervet monkeys from Egypt, tall stone vases for lilies, and sufficient paint for many radiantly colored and figured walls — had there not been paint, we would know very little of the rest.

And there was saffron. The wild-growing crocus species that produces saffron, C. cartwrightianus, has for purposes of cultivation mostly given over to a selection, C. sativus. Numerous crocus species, some with deep mythological associations, bloom in the late winter, the spring and the fall. C. cartwrightianus and C. sativus, with their petals of violet-blue, bloom in the late fall, a time of tremendous fecundity in both plant and animal life in the Mediterranean. It takes about 70,000 deep orange-red stigma to make a pound of dried saffron.

blue_monkey_detail_thera_4

Minoan Fresco wall painting of " Spring " from Minoan Bronze Age settlement of Akrotiri on the Greek island of Thira, Santorini, Greece. Athens Archaeological Museum.

Minoan_Miniature_Frieze_Admirals_Flotilla_Fresco_Art_Ship_Closeup_650px

In the building known as Xeste 3, larger and more decorated than any yet excavated at Akrotiri, a two-storied chamber of frescoes – true frescoes, painted on wet plaster for a time-defying bond – depicts women and girls gathering saffron crocus blooms, bringing them in baskets to a saffron-cushioned goddess seated on a three-tiered platform. It is by far the most splendid and evocative cycle of paintings from the ancient world to be discovered in our time, and a match for almost any painting from pre-classical antiquity. Xeste 3 was probably a public building – on an ashlar wall there is an altar surmounted by a painted pair of horns tipped and dripping in red and, below, a lustral basin, both too large for domestic use.

If public or semi-public rituals were performed here, then to what end? And in whose propitiation? And how was saffron involved? The cycle of frescoes in Xeste 3 poses many questions, and answers not a few of them most provocatively.

saff1

The Goddess on the Saffron Cushion To be continued.

_______________________________________

SOURCES CONSULTED in the WRITING of THIS ARTICLE

Books

The White Goddess, by Robert Graves

The Masks of God, Vol. 3: Occidental Mythology, by Joseph Campbell

Creation of the Sacred: Tracks of Biology in Early Religion, by Walter Burkert

Art and Religion in Thera: Reconstructing a Bronze Age Society, by Nanno Marinatos

Thera: Pompeii of the Ancient Aegean, by Christos G. Doumas

Web Resources

Botanical Saffron

Excellent articles for determining this aspect of saffron — never make a botany-based mistake about saffron again!

http://gernot-katzers-spice-pages.com/engl/Croc_sat.html

http://en.wikipedia.org/wiki/Crocus_cartwrightianus

http://en.wikipedia.org/wiki/Crocus_sativus

http://www.botanicalgarden.ubc.ca/potd/2005/07/crocus_sativus.php

http://www.thealpinehouse.fsnet.co.uk/crocus%20pages/Crocus%204.htm

http://www.le.ac.uk/ebulletin-archive/ebulletin/news/press-releases/2010-2019/2010/03/nparticle.2010-03-04.html?searchterm=crocus

Wall Paintings of Thera

The best and most complete site left on the Internet — unfortunately the photos are tiny.

http://www.idryma-theras.org.gr/wall_paintings_exhibition.htm

 

Elatia Harris is a writer and consulting editor in Cambridge, Mass. She is most often at work on books and articles about food, wine and travel. Contact her at elatiaharrisATgmailDOTcom or via text at 617-599-7159.

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Simon Says: Daily Food Quote, September 20, 2013

Published by Wednesday, September 25, 2013 Permalink 0


Simon de Swaan, Simon Says, The Rambling EpicureSimon Says: Daily Food Quote, September 20, 2013

In a restaurant choose a table near a waiter.–Jewish proverb

 

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