Venetian Hours: How Not to Visit Venice

Published by Tuesday, March 29, 2016 Permalink 0

Venetian Hours: How Not to Visit Venice

by Jonell Galloway

There are many ways to visit Venice, but if you want a real Venetian experience without disappointments, here are some tips.

  1. Don’t stay near Rialto or San Marco. There’s nothing at all wrong with the neighborhoods, but they are more expensive and more touristy.
  2. Don’t eat in restaurants with colored photos of all the dishes on a plastic sign outside. They tend to be touristy and unauthentic.Santi Maria e Donato basilica/church, Murano, Venice, Italy, travel
  3. Don’t take the vaporetto everywhere. The vaporetto is good for seeing the palaces on the Grand Canal on a sunny day or at night when they’re lighted, but walking lets you fall by chance on hidden palaces, churches, bridges, canals and cafés. These are the great joys of Venice.
    vaporetto water bus rialto bridge venice
  4. Don’t take Alilaguna if you’re coming from the airport. You can’t see a thing through the windows, and the trip takes about twice as long as the No. 5 airport express bus to Piazzale Roma (20′), which leaves from directly in front of the main airport exit.
  5. Don’t walk the streets looking for a restaurant. Choose restaurants in advance instead of walking in spontaneously when you’re hungry. Venice has its full share of tourist traps, especially around San Marco and the Rialto. Note: there are good restaurants in these neighborhoods, but do your research and reserve ahead of time and you’ll have a happier experience.View from Campo San Vio, looking down Grand Canal into San Marco Basin or Bacino, at Santa Maria della Salute church and Punta della Dogana art museum
  6. Don’t go to just any shop or restaurant. Try to frequent places run by Venetians and Italians. This is not racist or chauvinistic; it simply means you’re more likely to have an authentic experience and support the economy in Venice.canal venice san polo
  7. Don’t set out on your day’s sightseeing without studying where the major landmarks in Venice are located. Know where San Marco, Rialto, Accademia, Ferrovia and Piazzale Roma are in terms of north, south, east and west and your day will go much more smoothly. It’s also good to memorize the vicinity of major landmarks and the names of the sestieri or six city districts: Castello, Cannaregio, San Marco, Dorsoduro, Santa Croce and San Polo.sestieri or districts of venice map courtesty of http://www.italyguides.it/en/veneto/venice/interactive-map-of-venice#!/catid=36
  8. Don’t think you can get everywhere like you do in a city with a grid layout. Maps are not always the best way to get around. Let yourself get lost. When you’re really lost, look for the arrows near the street names marked San Marco, Rialto, Accademia, Ferrovia and Piazzale Roma.
  9. Don’t buy tickets each time you get on the vaporetto. Buy a Venezia Unica Citypass for one, two, three or seven days. Yes, it’s expensive, but so are individual tickets at 7.50 Euros a shot.
    Ponte di Chiodo, only bridge without parapet/side rails in Venice Venezia
  10. Don’t go to Venice uninformed. Do your homework before arriving. No matter what, you’ll spend a lot of wonderful hours getting lost, but you’ll make better use of the restricted opening hours.
  11. Don’t sleep in. Museums and churches tend to close early and some even close for lunch.
  12. Don’t rely on your guide books for opening and closing hours. They’re invariably out of date and times tend to change according to the season and the budget. Web sites are not always up-to-date either, but they’re more reliable. City museum opening times can be checked on the MUVE site. Otherwise, look at websites for individual museums.

Interactive map of Venice.

 

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Food Art: Tiramisù, food photography by Alessandro Boscolo Agostini

Published by Tuesday, May 14, 2013 Permalink 0

 

Food Art: Tiramisù, food photography by Alessandro Boscolo Agostini

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

Today, I rob with no qualms, and I confess it with no shame. My spoils are my sensations, emotions, lines, colours, compositions: I catch everything that stops in front of my camera, I catch it with a click to close it in a graphic cage. It doesn’t matter if its a catalogue or a magazine. What I’m really interested in is the look, my view of the world. In the millions of images that pass in front of my eyes every day, that go on around me, that chase me in my silence. For this reason I  photograph subjects of any kind and still do it every day without specializing in anything in particular. From a luxury hotel suite, to the sexy transparencies of Murano glass. From art exhibitions to a ballet. From a golf course to actors on a stage. The list can go on and on, while this bio must finish here. I hope that I haven’t once more been a thief, that I haven’t taken up to much of your time. If this was the case, please don’t report me to the police, because I will give myself immediately up: I’m Alessandro Boscolo Agostini!

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