On The Marcella Hazan Trail

Published by Monday, June 13, 2016 Permalink 0

On The Marcella Hazan Trail: Paschal Lamb or Abbacchio alla Cacciatora

Publication of Marcella’s last book, Ingredienti, on July 12, 2016, translated and edited by Victor Hazan

by Madeleine Morrow

At Easter Rome is bursting with pilgrims. They gather from across the Catholic globe and descend on the Eternal City like flocks of birds returning from their wintering grounds. Nuns cluster like crows, standing in line for the wonderful gelato, then swish down the narrow streets, rosaries jostling against coni.

I too visited Rome at Easter on a pilgrimage and, while my quest was corporeal, it was no less spiritual, for I had come in search of the Paschal Lamb. I wanted to cook Abbacchio alla Cacciatora. This dish of early spring lamb can only be prepared during a few short weeks as the lamb required is but one month old. The Italian sheep are a smaller breed to those farmed in the UK and, consequently, the lambs are smaller too. At their tender age, the lambs have only drunk milk. The thigh bone is no longer than that of a chicken drumstick. The meat is tender beyond description.

I discovered this dish while searching for recipes to prepare on a family holiday in Rome — as the old adage suggests, “when in Rome do as the Romans do.” My chosen recipe was from Marcella Hazan’s The Classic Italian Cookbook, a treasure trove of Italian cuisine. She describes the dish as a celebrated Rome speciality, which suggested to me that to cook it in Rome was imperative.

the classic italian cookbook marcella hazan italian cooking recipe book food Victor Hazan Ingredienti

 

 

 

 

 

 

 

 

 

 

 

 

 

On the morning of our anticipated feast, my family set out early for the Campo de’ Fiori where I expected to find the full list of my ingredients, as the market stalls and small shops surrounding the square sell every culinary delight one could need for a happy life. On arriving at the Campo, my young sons were immediately intent on securing football shirts before my attention was diverted. For the princely sum of 10 Euros apiece, they each walked off in a “fake” footie shirt bearing the name of Totti, Roma’s favourite son. Their attire had a magical effect as they were soon patted on the head and smiled at by every man we passed, from the local stall owner to the guards in the Vatican! The universal language of football and the passion it evokes is at least equal to the glories of cuisine amongst Italian men. Perhaps the food served up at the Stada di Roma is an improvement on the hotdog and chips ubiquitously sold to English football fans attending a game on home turf.

But what of the lamb? The Campo hosted a butchery stall where I explained my mission. The butcher set about chopping up the meat of tiny carcasses, not a sight for the squeamish or sentimental nor for vegetarians or the virtuous. The meat was delicately wrapped in greaseproof paper and settled in my shopping bag. I set off for the Salumeria in search of salted anchovies. The Italian delicatessen was an Aladdin’s cave filled with oils, vinegars and relishes of every kind. Huge hams formed a sculptural installation on the ceiling. Tiny tins contained exotic ingredients. There was an array of pancetta, prosciutto and other meats, fresh pasta of every hue and flavour, pesto and parmesan wheels, an endless store of delights to bring a rush of excitement to the most jaded palate.

cesaro eating abbacchio romana

 

 

 

 

 

 

 

 

 

 

 

 

The customers discussed their requirements with the shop assistants who acknowledged the importance of every purchase and handled the food courteously, each item wrapped with care. My request for salted anchovies led to a debate between two assistants as to which anchovy would be better suited to Abbacchio. A third joined in and asked to see my recipe which I had removed from my bag to check on whether any guidance was offered by Ms. Hazan herself. He shook his head gravely and announced to my fellow customers that he had never prepared Abbacchio in this way and that, in his opinion, the anchovies had no place in the dish. I decided to have the casting vote and soon 10 anchovies were laid out. My shopping trip gave slow food a new meaning. Every ingredient was deliberated over, the assistants presented as specialists in their field who contribute their knowledge to enhance the food that will end up later on your plate.

salt-packed anchovy creative commons photo serious eats

 

 

 

 

 

 

 

 

 

 

 

Although described as a dish that is slowly pot roasted, the cooking time was surprisingly short due to the tenderness of the meat. The lamb was browned in batches. Then salt, pepper, chopped garlic, rosemary and dried sage were added before the meat was dusted with flour. Once the meat had been turned and it had darkened, the vinegar was added. The recipe does not specify what sort of vinegar to use but I think that balsamic adds great value to meat and so in went more vinegar than seemed sensible. The aroma that filled the kitchen at that moment was exquisite and the gathering guests were drawn to the tiny galley to discover the source. The anchovies were mashed and added at the end of cooking, giving the sauce a salty punch.

Within an hour we sat to eat on a terrace up above the city, the weather warm enough, even on an April evening, for al fresco dining. The Chianti flowed and the conversation was convivial but it was the lamb that stole the show. Meltingly tender, the meat was basted in its sauce which married the sweet balsamic and salty anchovies with the garlicky back note of herbs. A simple accompaniment of fave alla romana was served. It is true that food is best enjoyed when much anticipated and I had been waiting all day. It was declared by many as the best lamb they had ever eaten and who am I to disagree? Even the football shirts proudly bore the stains of a meal well savoured.

The Abbacchio grows ever more delicious in my memory as the years go by, tormenting me with the knowledge that I cannot recreate it in my own kitchen. Perhaps I too will have to make an annual Easter pilgrimage to Rome. As for the football shirts, they unravelled on their first wash and Totti will someday be sold to a rival team. In a world where everything is transient and football heroes are fickle, my sons are learning that when it comes to food, some things don’t change and old traditions can always be relied on to provide enduring pleasure

__________________________

Madeleine Morrow is a freelance food and travel writer based in London and writes for several newspapers based in the U.S. and in South Africa. She also has two blogs. Kitchen Journeys (www.kitchenjourneys.net) has a focus on travelling with family in search of culinary adventure. It also covers restaurants reviews in London. From The Healthy Heart (www.fromthehealthyheart.com) has a focus on lowering cholesterol through eating delicious food. 

***

From the publisher Simon and Schuster’s website:

When Marcella Hazan died in 2013, the world mourned the passing of the “Godmother of Italian cooking.” But her legacy lives on, through her cookbooks and recipes, and in the handwritten notebooks filled with her thoughts on how to select the best ingredients—Ingredienti, coming out on July 12. Her husband and longtime collaborator Victor Hazan has translated and transcribed these vignettes on how to buy and what to do with the fresh produce used in Italian cooking, the elements of an essential pantry, and salumi, resulting in this new book.

Before you know how to cook, you must know how to shop. From Artichokes to Zucchini, Anchovies to Ziti, Ingredienti offers succinct and compelling advice on how to choose vegetables, pasta, olive oil, Parmigiano Reggiano, prosciutto, and all of the key elements of Marcella’s classic meals. Organic isn’t necessarily best, boxed pasta can be better than fresh. Marcella’s authoritative wisdom and surprising tips will change the way you cook. Her clear, practical guidance in acquiring the components of good cooking is helpful wherever you choose to shop—in supermarkets, farmers’ markets, specialty food stores, or online.

Based on sixty years of almost daily visits to the market to choose the ingredients of that day’s meal, Ingredienti is a life’s work, distilled—an expression of Marcella’s judgments, advice, and suggestions. Uncomplicated and precise, this volume will be essential to home cooks eager to produce meals in the same delicious style Marcella was the first to introduce to America.

 

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WEEKENDS AWAY: TRASTEVERE, ROME, AND SANTA MARIA

Published by Saturday, February 15, 2014 Permalink 0

Jonell Galloway, The Rambling Epicure, Mindful Eating, Spontaneous Cuisine, Editor of The Rambling Epicure.WEEKENDS AWAY: TRASTEVERE, ROME, AND SANTA MARIA

by Jonell Galloway

A weekend in the Trastevere neighborhood of Rome lets you live and feast like a real Roman, if only for a short time. It is rich in history and culture, and plenty of fun and good food to boot. A little hotel we’ve found near Piazza Santa Maria will let you melt into this hidden corner of Rome.

A Little History about Trastevere

This side of the Tiber was Etruscan, until the Romans claimed it around the 6th century B.C. It was incorporated into the city of Rome’s 14 quarters by the Emperor Augustus with the “Trans Tiberim.” Thus the name, which means “across the Tevere,” the Roman name for the Tiber.

Bridge and River in Trastevere in Rome

 

 

 

 

 

 

 

It was a plebian quarter, where the servants and laborers and the free citizens of Rome’s as well as sailors, fishermen, Phoenicians and Jews lived. It would be the principal Jewish quarter of Rome until the end of the Middle Ages, when the Ghetto, across the river from Trastevere, became the residential area to which Jews were henceforth restricted.Rome Rione di Trastevere Logoastevere_logo

 

 

 

 

 

 

 

 

Renaissance Romans began building more noble villas around the edges of the ancient quarter, but the Trastevere of today retains its medieval, labyrinthine layout, full of narrow, winding alleys. It remains a working class neighborhood, with children playing soccer in the street, old people sitting on their stoops, and families gathering around a table in the street to visit. Trastevere lies between the western banks of the river Tiber and the Janiculum hill, one of Rome’s storied seven hills, that looms above it. It’s but a short 15-minute walk across the Tiber to the ruins of ancient Rome, the “salon” of Rome with its extravagant fountains, and only a little bit further by foot to St. Peter’s Square and the Vatican. One of the liveliest gathering places is the square in front of the church of Santa-Maria-in-Trastevere, construction of which began early in the 3rd century with the church completed in the mid-4th century, and ultimately completed in Romanesque style in the 12th century, then converted in several other centuries, giving it an unusual combination of Ancient Roman details and varied architectural features from later periods. The octagonal fountain in the piazza is an ancient Roman fountain restored and enlargened in the 17th century by Carlo Fontana.

Santa Maria Trastevere Roma Italy Carlo Fontana

Santa Maria with church, with ancient Roman foundation in center. The piazza is full of life at night.

 

What to See and Do in Trastevere

The Church of Santa Maria in Trastevere

Santa Maria in Trastevere is undoubtedly the oldest church in Rome, and deserves several visits if you want to appreciate its full architectural and historical depth. Most of the mosaics date from the 12th century. They are illuminated at night, and the golden light of the façade fills the piazza with a warm glow.

12th-century gold mosaics in Santa Maria in Trastevere, http://www.aztec-history.com/traditional-mexican-food.html

12th-century gold mosaics in Santa Maria in Trastevere

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The 22 granite columns lining the nave are said to have come from the ruins of the Baths of Caracalla; the capitals are adorned with the heads of female pagan deities.

Granite columns in Santa Maria in Trastevere, from Baths of Caracalia

Numerous Roman funeral inscriptions can also be found in the church.

Ancient Roman etched gravestone in Santa Maria in Trastevere

Eating and Nightlife

There is no shortage of reasonably priced osterie, trattorie and restaurants that serve authentic Roman food in a no-frills setting. The neighborhood is timeless, with its mix of historical architectural periods and lively local residents; it remains quintessentially Roman. If you want to pretend you’re Roman for a weekend, this is the place to do it.

 

 

 

 

 

 

 

 

Old cellars and stables have been converted into bars, discos and cafés, providing a lively nightlife scene, with customers spreading out into the streets when the weather is fine.

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Signs like this demonstrate the colorful character of the locals, and offer contrast to our notion of contemporary, ultra-chic Italy.

Trastevere, Rugantino Trattoria Osteria Restaurant, Rome, Italy, photo by Jonell Galloway all rights reserved Jonell Galloway (R)

 

 

 

 

 

 

 

 

Sidewalk cafés and restaurants preserve the romantic character of Old Italy, spilling out onto the streets. My favorite source of restaurants in Rome is David Downie’s Food Wine Rome. David is half Roman, and sees food through the eyes of a Roman. His recommendations are all about the authentic and the unpretentious, and you’ll seldom find tourists in the places he recommends.

Hotel

While the Hotel Santa Maria is located in the very heart of the vibrant Santa Maria neighborhood just steps from the piazza, within the walls of this converted 16th-century convent, it’s so quiet and peaceful that you may think you’re staying in a remote Tuscan country house. The renovation is simple, but tasteful, with classic Roman terracotta floors and well-fitted bathrooms. Bedroom furnishings are tasteful, solid-wood reproductions. Almost all rooms are on the ground floor and give onto the courtyard. The few that do have a room above them (near the rooftop terrace) are not so quiet due to the tile floors. Otherwise, the clientele is quiet and respectful. Double Room Santa Maria Travestere, Rome, Italy

 

 

 

 

 

 

hotel-santa-maria Orange courtyard

Courtyard with orange trees where you can eat breakfast or have a drink

One enters the hotel courtyard through a large, locked iron gate, so security is good. The L-shaped convent-cum-hotel with an inner courtyard enclosing a small orange grove boasts wrought-iron tables and chairs for leisurely sitting in the sun or eating breakfast when weather permits. The breakfast room is in a converted cellar, with breakfast consisting of an international and Italian buffet with something to suit everyone, offering freshly squeezed orange juice and coffee from a professional espresso machine.

The small rooftop terrace is furnished with chic wooden lounge chairs and armchairs. It’s a great place to have a drink before dinner, read in the early evening, or sunbathe during the day. The view of the surrounding rooftops and balconies of Trastevere is a photographer’s dream. All rooms have satellite television and air conditioning, as well as Wi-Fi, which can sometimes be unstable. Bikes are available for rental at the reception.

How to Get There

If you’re flying, take the train from the Fiumicino Leonoardo da Vinci airport station to the Trastevere station, about a 30-minute train ride, then take a cab, which should take about 10 minutes. This should cost around 15 Euros all-inclusive, versus approximately 50 Euros with tip for a cab direct from the airport. A cab ride from the Termini train station to the hotel should cost around 15 Euros. The hotel is lost in a winding street and difficult to access by car. Even taxi drivers get confused with all the one-way and dead-end streets. Study your map and know the names of the surrounding streets and squares, because the driver may be forced to let you off in another street around the corner from the hotel.

Practical Info

Reservations: http://www.htlsantamaria.com Address Vicolo del Piede 2 – 00153 Rome – Italy Tel. (39) 06 5894626 – Fax: (39) 06 5894815 Click here for map: Map to Hotel Santa Maria

 

Jonell Galloway grew up on Wendell Berry and food straight from a backyard Kentucky garden. She is a freelance writer. She attended Le Cordon Bleu and La Varenne cooking schools in Paris and the Académie du Vin, worked for the GaultMillau restaurant guide and CityGuides in France and Paris and for Gannett Company in the U.S., and collaborated on Le tour du monde en 80 pains / Around the World with 80 Breads with Jean-Philippe de Tonnac in France; André Raboud, Sculptures 2002-2009 in Switzerland; Ma Cuisine Méditerranéenne with Christophe Certain in France, At the Table: Food and Family around the World with Ken Albala, and a biography of French chef Pierre Gagnaire. She ran a cooking school in France, and owned a farm-to-table restaurant, The Three Sisters’ Café, with her two sisters in the U.S. She organizes the Taste Unlocked bespoke food and wine tasting awareness workshops with James Flewellen, is an active member of Slow Food, and runs the food writing website The Rambling Epicure. Her work has been published in numerous international publications and she has been interviewed on international public radio in France, Switzerland, and the U.S. She has just signed on at In Search of Taste, a British print publication, and is now working on two books, What to Eat in France and What to Eat in Venice.

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Published by Monday, February 3, 2014 Permalink 0

Food Art: Still Life with Mouse, by Giovanna Garzoni (Italian Baroque Era Painter, 1600-1670), Rome

Garzone was one the first women painters to paint still lifes. Collectors loved her work, and she was able to immediately sell all she produced at just about any price she named. Garzone painted on vellum. She worked mainly for aristocratic patrons, such as the Medici family, and often took decorating commissions in their villas and palaces. She was most likely influenced by Jacopo Ligozzi, who was a botanical and zoological painter for the Medici court. Garzoni bequeathed all her work to the painters’ guild in Rome, the Accademia di San Luca, in exchange for the right to be buried there. Source: Getty Museum

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David Downie: The Tale of the Two Labyrinths of Chartres

Published by Thursday, July 11, 2013 Permalink 0


David Downie: The Tale of the Two Labyrinths of Chartres

David Downie, The Rambling Epicureby David Downie

Introduction by Jonell Galloway

Chartres is not only my home, but remains one of the most mystical places on earth, even after years of living there. It has everything I need in a city: a spiritual atmosphere, good food, good wine, beautiful stained glass, a beautiful cathedral and 128 or so other beautiful churches, and honest people who, being from the bread basket of France, have never lost their work ethic and healthy attitude. People were already making pilgrimages to Chartres long before the Christianized Romans appeared on the scene, and they continue to do so in droves today.

Chartres Labyrinth

Chartres labyrinth (Photo credit: Steve Snodgrass)

 

 

 

 

 

 

 

 

 

 

I was pleased to see Rambling Epicure contributor David Downie’s article on Gadling about the labyrinths of Chartres, the city that may just have more history than any in Europe, and about how its sacred sites continue to inspire people of many denominations and beliefs who travel from all over the world to soak up its telluric energy.

France, Chartres, Labyrinth

Labyrinth reproduction in the garden below the cathedral (Photo credit: hdes.copeland)

Outdoors in a panoramic park behind the famous cathedral of Chartres a teenage girl skipped along the concentric pathways of a grassy labyrinth. Other kids shouted and kicked a soccer ball. Young lovers simultaneously pecked at each other and the touchpads of their handheld devices, observed by curious onlookers.  

Most such onlookers in Chartres are day-trippers from nearby Paris: The capital is an hour’s ride east on a commuter train.

Click here to read rest of article.

 

vitrail de la cathédrale de Chartres

Stained glass in Chartres Cathedral

 

 

 

 

 

 

 

 

 

 

 

 

 

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Food Art: Still Life with Flutist and Fruit, by Italian painter Cecco del Caravaggio

Published by Saturday, March 23, 2013 Permalink 0

 

 

 

 

 

 

 

 

Cecco del Caravaggio (1571-1592) was born in Milan, from which he fled in 1596 to avoid the plague. He worked as apprentice for the Lombard painter Simone Peterzano for four years. His contract there listed that he was a pupil of Titian. He lived in Rome from 1592 to 1600, forging many great artists. The realism and dramatic intensity of many of his paintings was thought to be vulgar by many Romans, and even painters were divided by its distinct nature which opposed that of most other Roman artists. Nevertheless, between 1600 and 1606, he was considered Rome’s most famous painter.

Caravaggio was known for getting into scuffs, even in a time where this was commonplace. On May 29, 1606, “he killed, possibly unintentionally, a young man named Ranuccio Tomassoni. Previously his high-placed patrons had protected him from the consequences of his escapades, but this time they could do nothing. Caravaggio, outlawed, fled to Naples.” He went from becoming the most highly regarded painter in Rome to being the most highly regarded painter in Naples. Soon after, he left for Malta. The rest of his life was darkened by brawls and scrapes with the law.

A wonderful biography of Caravaggio’s life can be read here.

 

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News from David Downie: Paris, Paris on 3QD and The Little Book That Could

Published by Monday, August 8, 2011 Permalink 0

by David Downie

Writer-chef-explorer extraordinaire Elatia Harris — no relation to my wife Alison Harris — interviewed me for a great website I did not formerly know, the 3 Quarks Daily.

It’s always jarring to be on the other side of the mike — or keyboard. I’ve conducted hundreds of interviews over the last 20-odd years. I’ve given a few, too. Of them, this is outstandingly good (not because I’m such a fascinating person, but because Elatia is such a good interviewer and writer).

Here’s the opening paragraph:

In 1986, San Francisco-born David Downie, a scholar and multilingual translator, moved to Paris, into a real garret — a maid’s room, in fact — to write himself into another way of life. Fresh from Milan, his marriage to a Milanese finished, he was still young enough for years more of getting it right. A quarter century later, his authority on matters Parisian is acknowledged by Jan Morris, Diane Johnson, and Mavis Gallant, to name only a few illustrious admirers.

Happily the interview is also about Alison and includes many fine photos from Rome, Paris and elsewhere.

Photos such as this one:

Much to my surprise and delight, The New Yorker picked up the interview. The power of new media is startling.

Speaking of which, Paris, Paris is a surprise bestseller. It was released on April 5 and in under four months has gone through four print runs… This is astonishing, given the publicity budget (budget? what budget?) and the not-dumbed-down nature of the book.

Thanks to all of you for buying so many copies, and telling your friends! Merci mille fois…

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David Downie: Guanciale: An Obituary and a Homage to Rome’s Jowl Bacon, Part 1

Published by Tuesday, July 19, 2011 Permalink 0

by David Downie

Click here to read part 2

The inimitable guanciale — Italian “jowl bacon” — made for over half a century by the Carilli brothers in Rome is dead. Long live Rome’s guanciale!

Purists insist that without guanciale it’s impossible to make the true versions of the pasta sauces carbonara (olive oil, butter or lard, eggs, black pepper, pork jowl, and pecorino romano), gricia (subtract the eggs and black pepper, add hot chili and wine), or Food Wine Rome (add tomatoes to gricia).

But guanciale also finds its way onto bruschetta and into soups as well as myriad other pasta sauces, vegetable medleys, frittatas, poultry, beef, and pork. To my knowledge, the only course of a Roman meal in which guanciale does not appear is dessert.

C’ho passione! C’ho passione!” — “I’m passionate, I’m passionate!” sang white-haired pork butcher Salvatore Carilli when I interviewed him a few years back.  When I asked him about the trade his  family has been in for more generations than he can tell me, with paternal pride, the wiry and excitable Carilli, the eldest at 72 of three butcher brothers, thrust a wizened, pepper-dusted, triangular two-kilo hog jowl into my hands. He had cured it in dry salt and air-dried it for months.

Continue Reading…

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