Indian Curry Through Foreign Eyes, Part 1: Hannah Glasse’s 18th-century Curry Recipe

Published by Sunday, June 9, 2013 Permalink 0

Indian Curry Through Foreign Eyes, Part 1: Hannah Glasse’s 18th-century Curry Recipe

by Laura Kelley

I have long been fascinated by concepts of “I and other”, or the many ways we separate what is familiar (self) from what is not familiar (non-self). By defining what is not self, we are in fact defining self. One can hear small children do this when misclassified by gender; most adamantly declare that they are not members of the opposite sex. “I and other” are also evident in beautiful symbolic ways when considering the movement of ideas and beliefs through societies. The newly introduced idea is at first foreign, complete with unfamiliar trappings. As the idea flows through society and is adopted, the foreign elements are shed and replaced by the familiar.

Depictions of Buddha: Caucasian and Asian, by Laura Kelley at //www.silkroadgourmet.com/hannah-glasse-curry/

Depictions of Buddha: Caucasian and Asian

One place to see this is operation is at the Boston Museum of Fine Arts, which houses an expansive collection of Asian art. As Buddhism moves out of India and across Asia, first to the west and then the east, early iconography clearly depicts Buddha as Caucasian (Gandahara style), even when the work is from the Himalayas, Burma or Western China. As time passes, and Buddhist ideas are adopted across the east, however, religious iconography begins to depict a wide variety of races and ethnicities. Noses become smaller, epicanthic lids are added as the face changes from Caucasian to Asian. Expressions usually remain contemplative and serene, but the varying shapes of the faces are evidence of the triumph of the ideas across space and time.

The “I and other” concept is also of interest in historical cookery, especially when one group is attempting to recreate the cuisine of another. I’ve been looking at early recipes for Indian curry written by non-Indians. So far, I have a small collection of English and American recipes from the 18th and 19th centuries that show curry powders and recipes developing from recipes that merely reminiscent as Indian in the eighteenth century to those that are nearly indistinguishable from modern recipes broken out by geographical region by the end of the nineteenth. The earliest amongst them (so far) is a recipe from Hannah Glasse’s The Art of Cookery made Plain and Easy, first published in 1747.

The Art of Cookery, 1774, photo by Laura Kelley

The Art of Cookery, 1774

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Club Prosper Montagné’s List of Top Restaurants and Food Shops in Geneva, Switzerland

Published by Saturday, June 8, 2013 Permalink 0

Club Prosper Montagné’s List of Top Restaurants and Food Shops in Geneva, Switzerland

The Club Prosper Montagné’s list of the top restaurants and food shops in Geneva is in alphabetical order. There is no point system, so I’ll list them in the same way.

 

 

 

 

 

 

 

 

More Cookbooks than Sense describes Prosper Montagné as follows: “…Prosper Montagné, best described as the Thomas Keller of his day. Along with his (slightly older) contemporary Auguste Escoffier, he was one of the superstars of fin de siecle gastronomy. While not quite as revolutionary as the Big E (think of Escoffier as the Ferran Adria of the age), Montagne was no slouch, cooking his way around some of the biggest kitchens in France, notably the venerable Pavillon Ledoyen (currently Christian Le Squer’s three-star lair).

“Anyhow to cut a long story short, after many decades behind the range Montagne decided to kick back a little and starting writing books. This culminated in the 1938 publication of Larousse Gastronomique, co-authored with a Dr Gottschalk and published by Larousse, leading purveyors of encyclopedias and other doorstops.

“What Escoffier did for French cookery in practice, Montagne did for French cookery in print. Larousse was a staggering confection of history, dishes and recipes. The heart of the book is its coverage of French cuisine – from humble to haute. Montagne systematically went through every French region, dish, and garnish in the classic repertoire. He also provides pen-pictures of famous chefs and personalities, and added articles on history and on many notable ingredients (guess what, foie gras and truffles have some of the longest entries).”

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Culinary Travel: Jonell Eats her Way through Paris in June, a Photo Essay

Published by Friday, June 7, 2013 Permalink 0

 

 

There’s no better time to eat your way through Paris than in June. It is abundant with local fresh fruits and vegetables, sunshine and flowers. It’s a sensual experience that one must experience at least once in a lifetime.

This slide show gives you a glimpse of just how beautiful and sensual it is. Enjoy.

 

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Culinary Travel: Jonell Takes a Jaunt to Petite France in Strasbourg, a photo essay

Published by Thursday, June 6, 2013 Permalink 0


Culinary Travel: Jonell Takes a Jaunt to Petite France in Strasbourg

Husband Peter and I recently took a jaunt to Strasbourg with our German “family”, the Joerchels, to eat in a cozy little bistro in the heart of Petite France, the canal district of Strasbourg. Here’s a sample of the architecture and atmosphere of Petite France.

 

 

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Food Art: The Incredible Sensuality of Lemons and Pomegranates, painting by Gerard van Honsthorst

Published by Thursday, June 6, 2013 Permalink 1

 

 

 

 

 

 

 

 

 

 

 

Gerard van Honsthorst was born in Utrecht in the Netherlands in 1590, the son of a textile painter and tapestry cartoonist. Like many Dutch painters of his day, he studied in Italy, where he became known as Gherardo delle Notti, or “Gerard of the Night Scenes,” because his figures often depicted dark figures in the night.

Van Honsthorst was apprenticed to Abraham Bloemaert, the most celebrated master in Utrecht, with whom he probably made the trip to Italy between 1610 and 1615. During his stay in Italy, Van Honthorst was influenced by Caravaggio, who was at his height. He copied his technique and spread it in the Netherlands. His school is referred to as the Utrecht caravaggists.

The main body of his work consists of commissions for religious paintings, many from his Italian period, such as The Beheading of St. John the Baptist (S. Maria delle Scala, Rome), Christ Before the High Priest (c. 1617, National Gallery, London), and the Supper Party (1620, Uffizi, Florence), all nocturnal scenes.

Van Honsthorst was appointed dean of the Utrecht painter’s guild in 1625 and remained in office for many years. Van Honthorst’s fame soon spread, and in 1628 he was invited to work in London at the court of King Charles I, but returned in less than a year.

He married Sophia Coopmans in 1622 and died a rich man in 1656.

 

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The Top 10 Restaurants in French-Speaking Switzerland

Published by Wednesday, June 5, 2013 Permalink 0

I compiled this list of the top 10 restaurants in French-speaking Switzerland from the March 28, 2013, issue of the French-language magazine L’Hebdo.

  1. Hôtel de Ville – Benoît, Crissier
  2. Domaine de Châteauvieux, Satigny
  3. Hôtel Terminus – Didier de Courten, Sierre
  4. L’Ermitage de Bernard Ravet, Vufflens-Le-Château
  5. Le Pont de Brent, Brent
  6. Le Cerf, Cossonax
  7. Hôtel Beau-Rivage, Le Chat Botté, Geneva
  8. Hôtel Beau-Rivage, Anne-Sophie Pic, Lausanne
  9. Georges Wenger, Le Noirmont
  10. Denis Martin, Vevey

English: Logo of the Swiss magazine L'Hebdo Fr...

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Food Art: The Incredible Sensuality of a Lemon, a still life painting by Ralf Heynen

Published by Wednesday, June 5, 2013 Permalink 0

 

 

 

 

 

 

 

 

 

 

 

 

Ralf Heynen is a contemporary still life and portrait painter from the Netherlands.

The incredible twists of the lemon peel bring a particular energy to this painting. Although it appears to be simple, the lemon peel is hanging on to the pulp of the lemon itself for dear life, just by a string. Meanwhile, the lemon is staid, still, unflinching in its almost perfect roundness. It looks heavy and sure of itself as compared to the peel, which is thick and rough and “struggling” to wrench itself from the body of the fruit or “mother”.

Click here to see more of Ralf’s work.

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Food Art: Polpo / Octopus, food photography by Alessandro Boscolo Agostoni

Published by Wednesday, June 5, 2013 Permalink 0

This photo appears in Alessandro’s ongoing exhibit, Italian Food Rambling, on this site.

 

 

 

 

 

 

 

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

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A Mesolithic Dinner: Food, Wine and Art by Jane Le Besque

Published by Tuesday, June 4, 2013 Permalink 0

by Jonell Galloway

A Mesolithic Dinner: Food, Wine and Art by Jane Le Besque

 

Jane Le Besque hosted a “mesolithic dinner” on June 30, 2013, in her home in the Pays de Gex just over the border in France, an event sponsored by Slow Food Geneva. The dinner was cooked using ancient flavor combinations and techniques, and served on split logs onto which slate plates were placed and used as plates.

What Food Did Jane Le Besque Serve at Her Mesolithic Dinner?

Although Jane’s dinner was labeled “Mesolithic”, it was indeed much more than that. She covered the evolution of food from the post-glacial hunter-gather periods, through the Mesolithic and Neolithic, and going on to the Ancient Greeks and Romans, centering on Europe.

It started with the Mesolithic era, with an assortment of coastal and lake fish, eel, root vegetables and wild greens. The meal then slipped in to the Neolithic era with galettes made from ground lentils, peas and barley, served with spit-roasted boar. The menu ended with an Iron-Age “travelers pack” of dried fruits and dried-porridge slices fried in cumin and butter. The Bronze Age brought blue cheese and butter.

Drinks consisted of mead, more often referred to as “honey wine,” more in the style of the ancient Greeks and Romans than of more ancient peoples, and beer.

What is the Mesolithic?

As a reminder, the Mesolithic Age refers to the pre-agricultural period between 10,000 and 5,000 BCE in Europe, and variations of this period in other parts of the world. The term “pre-agricultural” is key in understanding what ingredients were available. The three terms paleolithic, mesolithic and mesolithic refer to what is generally called the “Stone Age,” i.e. the post-glacial hunter-gatherer period, when humans started to use stone tools and food was gathered rather than farmed.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

During the early Stone Ages or paleolithic (2.6 million years ago to around 10,000 BP), humans used some stone tools and utensils, but many tools were made from organic matter such as bone, fibers, and wood. Hunting and gathering were the chief ways of providing food. During the neolithic, starting around 10,200 BCE and ending between 4,500 to 2,000 BCE, depending on the location, we saw the beginning of farming. The mesolithic overlapped the other two ages, once again, at different times in different places. Metal tools brought these three Stone Ages to an end.

Jane Le Besque, artist and Mesolithic chef, serving mead

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Early Stone Age cooking was generally on leaves or directly over the embers, although clay cookware has recently been found in China dating from 19,2000–20,000 years ago, during the ice age. Stone Age plates usually consisted of a rock or other flattish surface found in nature, such as the flattened split logs Jane used in the same manner as we use wooden tables today. Earthenware did not appear on the dinner table until much later.

What Did You Usually Eat at Mesolithic Dinners?

What did they eat? Pretty much whatever they found and killed that was edible: meat, fish, wild plants. The specifics of this depended on the location, climate and season. Meals included the day’s finds. This might consist of berries, wild greens and other wild vegetables and plants.

Meat and later fish were not an everyday affair. They were difficult to come by and difficult to preserve, depending on the location (salt was found in Romania as early as 10,000 years ago). Stone  Age people ate very little grain, since agriculture didn’t exist yet. Hazelnuts and other nuts were often roasted, and stored for winter. Wild boar was common; dairy products and cheese were on the menu, although a limited variety.

About Jane Le Besque

Jane Le Besque lives and works with her family at the foot of the French Jura, a few minutes from Geneva, in the foothills of the Jura mountains.

She was born in England and has a Breton grandfather, hence the name. Since graduating from Birmingham Art College in 1986, she continued her studies at l’Ecole des Beaux Arts in Paris. She afterwards lived and worked in Toulouse, London, and now outside Geneva.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jane has always painted. She is her happiest walking through the woods and gathering berries, mushrooms, acorns, flowers and leaves to use in her cooking and painting.

One might say Jane has been interested in mesolithic cooking even before she learned the word. As a child, she spent her time gathering the wild things she now uses in her paintings,  making dresses out of them.

Her paintings are an intense reflection of her “gatherer” spirit. The Mesolithic dinner was held in her studio, lined with her paintings of flora of all types.

 

 

 

 

 

 

 

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Culinary Travel: Jonell Eats her Way through Mannheim, Germany

Published by Sunday, June 2, 2013 Permalink 0

Culinary Travel: Jonell Galloway Eats her Way through Mannheim, Germany

Photos from my culinary travels in Mannheim, Germany. Mannheim is not known for its cuisine, but it is known for its white asparagus, just like in Alsace. So we took a jaunt to the farmers market and bought the choicest spears from a vendor who sells only white asparagus. The Mannheim cheesecake we bought in the market is the best I’ve ever eaten.

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