The Mama Posts: Reflections on my Mother, January 13, 2011

Published by Sunday, January 13, 2013 Permalink 0

by Jonell Galloway

My parents lost their only son, my brother Cecil, when he was only 25. Life was never easy after that. They kept on hoofing it through life, getting up every morning to face a little world they’d built, made up of four children and two exceptionally bonded parents, a world now broken apart, a world from which one of the vital building blocks had been abruptly and inexplicably snatched away without a moment’s notice. For nearly a year I would wake up in the middle of the night, and feel my right arm to see if it was still there, because I had the sensation that it had been brutally jerked off from the moment my brother died. I can’t imagine the nightmares my parents must have had. My mother’s jet-black hair started to turn white immediately. My 6-foot father started drooping his shoulders instead of holding them high, as he had always done. There was always a lingering sadness, a hole in what was once a whole. The grief was ever-present and it didn’t go away. It never has. It never will.

Explosion of the Mind, painting by Abram Cruz

 

 

 

 

 

 

 

 

 

 

 

 

We were a tightly-knit family, welded together by the strength and love of my mother, and as I saw her emotional strength and courage wither away, she still held her head high and endured. Imagining that she too will go away soon loosens all the nuts and bolts that hold me together. Will I fall apart when the moment comes?

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The Mama Posts: Reflections on my Mother, January 9, 2013

Published by Wednesday, January 9, 2013 Permalink 0

by Jonell Galloway

My mother has been bedridden since the spring, in a hospital bed with bars so she can’t get out, as if the blindness were not itself a prison. The Parkinson’s, along with Prednisone for her temporal arteritis, affect her sleep cycle, so she sometimes doesn’t sleep for 3 or 4 nights straight. She eventually starts hallucinating. Sometimes she thinks she can see little children coming out of the ceiling, rather like angels coming down from heaven. The “angels” do not comfort her; they disturb her and she tries to jump out of bed and go after them, thus the necessity of the bars. No medicine stops this cycle somewhere between heaven and hell, and probably nearer the latter. How do we calculate a life, when is it time to stop the clock? By spending her days saying, “dear God, dear God, why do I have to live like this?” has she not decided she wishes the clock to stop? We cannot do it for her; we are forced to hold her hand and suffer alongside her.

Painting by Benozzo Gozzoli

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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