The Four Courses of the Apocalypse

Published by Thursday, July 25, 2019 Permalink 0

Remembrance of Food Past:

The Four Courses of the Apocalypse

by Leo Racicot

One of the glaring ironies of my life consisted of being pals with food goddesses Julia Child and M.F.K. Fisher, and yet not knowing how to make anything other than a peanut butter sandwich. My friends used to tease that, “Leo could burn boiling water if you don’t keep an eye on him.” When I was a kid, my poor mother, who often claimed I was her ticket to sainthood, would prepare the evening meal for my father, my sister, Diane and herself, and a lonely hamburger on a back burner of the stove for me because other than it and the peanut butter and bread, I refused to so much as look at any other kind of food. “This isn’t a restaurant,” my mother would say, but I was willful, wanted my burger and nothing else. So, in later years, it was of particular surprise to many, and especially to me, when I became a private cook to two former members of the Roosevelt administration, Hilda and Francis Shea, their son, Richard, and their live-in staff of 15 to 20 men.

Leo Racicot Julia Child in her Kitchen

Julia Child in her kitchen in 1997 (R).

I can boast a little bit now that I am quite the accomplished cook – I whip up a mean jambalaya and can flambé and sauté with the best of ‘em. But I did myself at the time no good throwing the names Fisher and Child around because that made Ms. Shea assume that I, too, knew how to cook. “Oh, Leo. Do you know how to make a Sauce Soubise?” she intoned, summoning up her most aristocratic accent. “Suuuuu-beeeeeze??” I said I did not and reminded her she had hired me to be Richard’s companion/caregiver. It led anyway to the dread question, “Well, did you ever take Chemistry 101 in school?” “Sure,” I said. I was then led by the nose over to shelves heavy with cookbooks of every decade and design, names so dear to me now but which instilled instant quivering in my spine when I first laid eyes on them: some vintage such as Michael Field’s Culinary Classics and Improvisations, and of course, the twin bibles of every serious kitchen: Irma Rombauer’s The Joy of Cooking and Julia’s Mastering the Art of French Cooking, and some quirky, even strange cookbooks such as Cook It Ahead, Live High on Low Fat, John Thorne’s Outlaw Cook, Only Kosher Cooking Matters, The Zodiac Cook Book. Ms. Shea waved her hand à la Vanna White showcasing letters of the alphabet and said, “Well, this is just like Chemistry 101, only with food.” She showed me where the apron was and left me to my folly.

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10 Classic Writers Who Talk About Food

Published by Monday, October 27, 2014 Permalink 3

by Jonell Galloway

Food writing is not confined to food writers. After all, food concerns us all and we all have something to say about it. Some use it as metaphor, others as porn. Here are a few examples from classic literature.

Food as the Essence of Being Human: M.F.K. Fisher

Fisher went straight to the point. Food was intertwined in almost all she wrote and used as a metaphor for the need for love in life. It was inescapable connected with its opposite, hunger.

“It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it… and then the warmth and richness and fine reality of hunger satisfied… and it is all one.”

M.F.K. FisherThe Art of Eating: 50th Anniversary Edition

Food, Heaven and Hell: Barbara Kingsolver

“Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?”

“Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods.

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Food Writing Prompts: M.F.K. Fisher

Published by Monday, July 28, 2014 Permalink 0

Jonell Galloway, Writer, Editor and TranslatorFood Writing Prompts: M.F.K. Fisher

Sharing food with another human being is an intimate act that should not be indulged in lightly.–M.F.K. Fisher

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Simon Says: Daily Food Quote, January 28, 2011

Published by Saturday, April 12, 2014 Permalink 0

Simón de Swaan, Simon Says, The Rambling EpicureFrom the Archives: Simon Says: Daily Food Quote, January 28, 2011

Food Writing Prompts

by Simon de Swaan

“A” is for dining Alone… and so am I, if a choice must be made between most I know and myself. This misanthropic attitude is one I am not proud of, but it is firmly there, based on my increasing conviction that sharing food with another human being is an intimate act that should not be indulged in lightly.–M.F.K. Fisher, An Alphabet for Gourmets

 

M.F.K. Fisher, born in 1908, is perhaps America’s best-known food essayist. She redefined the way Americans write and talk about food, and is therefore a true reference in American food writing. Gourmet wrote a lovely homage to her in 2008, the 100th anniversary of her birth.

Alphabet for Gourmets was originally published in Gourmet magazine in 1948.

Read more about her classic The Art of Eating.

 

Photo courtesy of Cliff 1066

 

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Simon Says: Daily Food Quote, May 7, 2013

Published by Tuesday, May 7, 2013 Permalink 0

Simon Says: Daily Food Quote, May 7, 2013

by Simón de Swaan

Almost every person has something secret he likes to eat.— M.F.K. Fisher

 

 

 

 

 

 

 

 

 

 

 

Mary Frances Kennedy Fisher was a preeminent American food writer. She was also a founder of the Napa Valley Wine Library. She wrote some 27 books, including a translation of The Physiology of Taste by Jean-Anthelme Brillat-Savarin, an authoritative classic about eating as a sensory experience. Two volumes of her journals and correspondence came out shortly before her death in 1992, Stay Me, Oh Comfort Me: Journals and Stories, 1933-1941.

 

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