Nana: A Love Story

Published by Tuesday, September 24, 2019 Permalink 1

by Leo Racicot

Along with an uncanny mastery of seven languages perfected while she was a scholarship student at L’Université de Paris plus a crystalline singing voice that gained her entrée to the finest church choirs in Europe, my Nana brought with her to, of all places, Lowell, Massachusetts, the Egyptian/Syrian cooking she learned as a girl in her native Alexandria. Sudden love for a fellow Egyptian émigré, Ralph, a barber, took Adele away from her academic and musical aspirations.

Egyptian women in market in Aswan

Muslim women in Aswan market, Egypt.

Ralph had an idea that opening his own shop in America, the land of opportunity, would put him and his new bride on roads paved in silver and gold. Before she knew what hit her, Adele (called by everyone Lena) found herself transplanted to a blue-collar town with a blue-collar man. The pair had four children in quick succession, each born two years apart: Mariam (Marie), Helen, George and my mother, Edna, nicknamed “Topsy.” Life and the barbershop landed them if not on Easy Street at least on This is Okay Way until Ralph died suddenly and young of a massive heart attack. My mother was six months old. Nana, unable to work full-time and raise four, small children alone (Lowell, after all, wasn’t Paris), took a job doing piecework in Hub Hosiery, one of the city’s many sweatshops and reluctantly put the kids in Franco American Orphanage where they would remain until they came of age.

Pistachio baklava

Middle Eastern pistachio baklawa or baklava.

By the time I knew her, Nana had left her dashed aspirations and heartbreak on the curb and gone about the business of “getting on with it.” Perhaps to make a second stab at rearing the children she, herself, had been unable to raise, she and Marie, who stayed single and made a home for her mother and herself, became co-parents to my sister, Diane, and me. We, too, had been orphaned at a very young age, leaving our mother in the same mess her mother had known. I grew up then with all women: my mother, my sister, my aunt, my Nana, the nuns at school. I witnessed firsthand the power of the female ethos, the banding together of women when Fate has removed all men from the picture, to step in and nurture, as individuals and as a group. I loved my women, but Nana I adored. The love life denied her giving to her own children she heaped on Diane and me. A more caring, hospitable, convivial spirit I have never known. And so, this is how, among other facets and aspects of my growing up years, I was exposed to the Syrian/Egyptian kitchen.

Assorted mezze.

Assorted mezze.

I loved being with Nana in her kitchen, watching her cook. We learn so much from watching. An almost pastoral calm would come over her as the small, old bones of her hands deftly tucked the Mahshi (Malfouf) mixture into the cabbage. In a flash, the stuffed wonders would layer up to the brim of the kettle (Nana pronounced it “cuttle”) to be doused with ripe, good garden tomatoes, homemade tomato sauce, and some water. Even more fun to watch was the way she would fashion a design, using only two turkey needles, into the top of a baked Kibbeh loaf. With the greatest care, too, she placed pine nuts (Snooba) strategically throughout the neat cake (not too many, not too few!). Kibbeh Nayyeh (raw hamburger or lamb) was also a staple of our family table.

People cringe now hearing that we ate raw meat (chased with raw onion). “Cannibals!,” they cry. I don’t know how I, so picky an eater I wouldn’t put a plain slice of American cheese in my mouth, got to love uncooked meat, but I could never get enough of the stuff – one of the treats of going over to my best friend, Anthony Kalil’s house, was the always-waiting Nayyeh on the table – Anthony’s father was a butcher so the house was well-stocked with the very best cuts. I loved the hurry-scurry of Anthony’s three brothers — his poor mom, outnumbered — racing in-and-out of the kitchen on their way to a date, a ballgame, a concert, tearing a piece of Syrian bread (the term, “pita” came into use much, much later on), scooping up a clump of Nayyeh, a bite of onion and chowing down. What with today’s heavy chemical treatment of meats and other No-No’s in meat products, I’m not so sure I would “go raw” now but I can still taste the sting of onion, the salted, peppered meat on my tongue and in my tummy. Good nourishing food.

Never-ending were the delights to be had in Nana’s kitchen. There was Gusa (stuffed zucchini though any squash could be used) with its aromatic garden flavors, bitter to the taste in a good way. Baba Ganoush, a tangy yogurt/eggplant spread, perfect for dipping or eating plain. Nana was never 100% satisfied with her own yogurt. “Is it too tart? A little bit, huh?” There was Makdous, tiny, marinated eggplants sprinkled with walnuts, Fatoush, a fresh lettuce and tomato salad splashed with lemon juice and sumac – a regular visitor to Nana’s table, it made my cheeks pucker. Halami, Halwah (pronounced ‘Ha-lay-wee’), Baklawa, Hummus, Tabouleh, M’jadara (lentil porridge), Za’atar (the best!). How could anyone not leave the table fat and happy?

Egyptian-style stuffed zucchini.

Egyptian-style stuffed zucchini.

Special Sunday trips were to nearby Lawrence and Bishop’s (Aunt Marie at the wheel) where, if the Arabic food wasn’t quite as good as Nana’s, well, “Hey, I’ll take it!” Our friend, Al, the waiter, would bring us extra olive oil, extra mint, extra bread. Al had a genial face. He looked like Abe Burrows and Sam Levenson, popular humorists of the day, and was funny the way they were funny. After feasting, we would go tramping unsavory neighborhoods in search of Melia A’asi, a girlhood friend of Nana’s in Alexandria. Nana knew Melia lived “somewhere in Lawrence.” Melia became somewhat of a legend in family lore. We never did find her. (Interesting aside: years later, after I told M.F.K. Fisher this story, she thought it would be fun to co-write a mystery novel with me, The Case of Missing Melia A’asi. My pseudonym, she decided, would be “Ricochet Raincoat.” Like Melia, though, the book never materialized.) At least Aggie Michael, Nana’s Lowell friend, existed. Nana and I would regularly visit her home peopled with life-sized statues of every saint in the canon. Aggie was a funny, fat, little Buddha with Orphan Annie hair. I liked her, but Nana and I always heeded Marie’s warning, “Don’t ever eat anything there; she cooks spaghetti in the same pan she washes her feet in.”

Nana’s desserts were my favorite. I could eat Ma’moul, the anise-and-date-scented pastries ‘til they came out of my ears. When Anthony and I brought along a paper bag full of them on our choirboys’ field trip to Boston’s Museum of Science, the other kids made throwing up sounds ‘til we passed the tantalizing cookie-cake-y wonders around. Everybody was our friend that day.

My most-loved sweets were Ka’ak, Proustian in its fragrance and its tastes, Turkish Delights, plump with pistachios, homemade Marzipan (not as hard to make as you’d think) and – heaven in a cup – the Egyptian delicacy, Umm Ali, its circus-y colors beckoning you to become a professional glutton.

Baba Ganoush or eggplant purée.

Baba Ganoush or eggplant purée.

I liked few things better than being with my Nana, sitting beside her in her kitchen waiting for everything to cook. I can still hear the good heat bubbling up from oven cups of custard, cinnamon-laced, rice and grape-nut puddings, too, and Knefe and Atayef. My whole boyhood early on was exoticized by almonds, the scent of sesame, strong licorice, black and running out of the corners of my mouth. Nana is teaching me how to make tissue paper carnations, pink. I’m not a very good student. Her chatter is punctuated by delightful Malapropisms, mangling the names of favorite entertainers: Florence Welch (Lawrence Welk), Furry Como (Perry Como), Pranky Pontaine (for Frank Fontaine), Ed Solomont (Ed Sullivan) and the funniest – Alfred Pitchfork (He was a bit of a devil!). We crack each other up; she, correcting my Arabic, I, correcting her English. Nana was petite, her white hair pulled up into a donut at the top of her head (very Marseille market). Nana was an anomaly; raised as an Ottoman Jew in Alexandria, schooled in Paris, she came to the new country equipped with a repertory of Baptist hymns (go figure!). Diane and I, per order of our very Catholic dad, were raised in his faith. So Nana and I would alternate dueling music genres: myself trilling The Angelus, The Kyrie and she, in her sweet, clear soprano intoning the old hymns: In the Garden, The Old, Rugged Cross, Abide with Me. Our songs and our laughter lifted the kitchen curtains high while the food cooked and heaven hovered quiet just over in a corner. I never heard her put on airs. She was plain, without make-up or pretensions. I never heard her speak an unkind word against anyone. She did like to thumb her nose behind Marie’s back whenever Marie criticized her about spoiling Diane and me. “Next thing, they’ll want we should build them their own Taj Mahal.”

Turkish delight or lokum

Turkish delight or lokum.

If there were times whole oceans rose up in her old eyes, well, we knew why; thoughts about a life that might have been. But she never let tears wet her bosom for long – she moved on – in acceptance, in grace, loving her life, her family, her kitchen.

The kitchen and her heart went dark in the year of The Bicentennial. So broken by grief was I, I ran away to avoid the wake. I couldn’t bear to say goodbye. I keep every day for saying goodbye by firing up the stove for cooking up a cauldron of Koshari, frying up a mess of onions in good olive oil for M’jadara, closing my eyes and conjuring up Nana in her kitchen, persimmons in ceramic bowls, hard candies and oranges and apples for anyone who might drop by. We learn so much from watching. We celebrate the nurturing women in our lives by nurturing ourselves and others. We nourish ourselves. We eat.

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The Four Courses of the Apocalypse

Published by Thursday, July 25, 2019 Permalink 0

Remembrance of Food Past:

The Four Courses of the Apocalypse

by Leo Racicot

One of the glaring ironies of my life consisted of being pals with food goddesses Julia Child and M.F.K. Fisher, and yet not knowing how to make anything other than a peanut butter sandwich. My friends used to tease that, “Leo could burn boiling water if you don’t keep an eye on him.” When I was a kid, my poor mother, who often claimed I was her ticket to sainthood, would prepare the evening meal for my father, my sister, Diane and herself, and a lonely hamburger on a back burner of the stove for me because other than it and the peanut butter and bread, I refused to so much as look at any other kind of food. “This isn’t a restaurant,” my mother would say, but I was willful, wanted my burger and nothing else. So, in later years, it was of particular surprise to many, and especially to me, when I became a private cook to two former members of the Roosevelt administration, Hilda and Francis Shea, their son, Richard, and their live-in staff of 15 to 20 men.

Leo Racicot Julia Child in her Kitchen

Julia Child in her kitchen in 1997 (R).

I can boast a little bit now that I am quite the accomplished cook – I whip up a mean jambalaya and can flambé and sauté with the best of ‘em. But I did myself at the time no good throwing the names Fisher and Child around because that made Ms. Shea assume that I, too, knew how to cook. “Oh, Leo. Do you know how to make a Sauce Soubise?” she intoned, summoning up her most aristocratic accent. “Suuuuu-beeeeeze??” I said I did not and reminded her she had hired me to be Richard’s companion/caregiver. It led anyway to the dread question, “Well, did you ever take Chemistry 101 in school?” “Sure,” I said. I was then led by the nose over to shelves heavy with cookbooks of every decade and design, names so dear to me now but which instilled instant quivering in my spine when I first laid eyes on them: some vintage such as Michael Field’s Culinary Classics and Improvisations, and of course, the twin bibles of every serious kitchen: Irma Rombauer’s The Joy of Cooking and Julia’s Mastering the Art of French Cooking, and some quirky, even strange cookbooks such as Cook It Ahead, Live High on Low Fat, John Thorne’s Outlaw Cook, Only Kosher Cooking Matters, The Zodiac Cook Book. Ms. Shea waved her hand à la Vanna White showcasing letters of the alphabet and said, “Well, this is just like Chemistry 101, only with food.” She showed me where the apron was and left me to my folly.

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D-Day in Chartres

Published by Tuesday, June 7, 2016 Permalink 0

by Jonell Galloway

The rain stopped in its tracks and the summer came down in a billow and I got out my summer dresses. The dogs lay down in the grass high from rain, rolling and frolicking with their limber legs toward heaven as the blue sky pushed its way through the month-long gray clouds. Teenage girls walked bare-armed, not yet tattooed, and young women strolled bare-legged in vintage print dresses resembling those in the Liberation photos but with tattoos blending into the flowers of their dresses. In 1944, it was D-Day on the shores of Normandy, but Chartres was occupied until mid-August, with the first American soldiers arriving in Proust’s beloved Illiers-Combray at 1 p.m. on August 15 and in Chartres at 10:30 a.m. on August 16th, my birthday. The people here love Americans; even young people repeat the stories their grandparents recounted of the American tanks driving up our street of St. Pierre a few days later and the 85-year-old butcher hugs me every time he sees me, as if I had been there and helped. The first time I came here, it was as if I’d found my home so far away from home, where I could wear pink and blue floral dresses like my grandmothers’ and wear white socks and sandals and dance in the same streets Jean Moulin had walked and feel free.

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Quintessential France: Rules for Dunking

Published by Saturday, August 8, 2015 Permalink 0

by Jonell Galloway

Croissants were made to be dunked into coffee, right? Doesn’t the very shape lends itself to dunking?

One of the first things I fell in love with in France was the general acceptance, albeit a bit common, of dunking my morning baguette-and-butter tartine or croissant in my café au lait. Dunking was forbidden in my mother’s house. She said it was common and thought Dunkin’ Donuts a travesty, so the French acceptance, though not formal, made me feel the reins of my upbringing had been loosened, if not removed.

Some French people, like Mme Verdurin in Proust’s Le Temps Retrouvé / Time Regained, actually suffer when they’re not allowed to dunk:

Mrs. Verdurin, suffering with migraines from no longer having a croissant to dunk in her café au lait, had gotten a prescription from Dr. Cottard allowing her to do it in certain restaurants, which we talked about. This was almost as difficult as getting the government to nominate a general. She ate her first croissant on the morning the newspapers reported the sinking of the Lusitania.

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Jonell’s Proustian Rambling

Published by Wednesday, April 9, 2014 Permalink 0

Be the poem. Write the poem of your life every day through your kind words and good deeds. When your nights are dark, rise up. Take the rays of the morning sun into your heart and warm it again. Keep writing your poem.

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Jonell’s Proustian Rambling

Published by Friday, April 4, 2014 Permalink 0

Peter and I are eating dinner. Chopin’s Etudes play in the background; we sit in the midst of our eclectic collection of objets d’art from France and Italy and more exotic ones from Tibet, Persia, India. I am in my element. I am surrounded by music, poetry and art. How have I come to this? My mother. For her, life has been poetry, art, and music, syncopated with dramatic andantes and crescendos, tearing at her guts and ripping them wide open. She took it all in; she swathed herself in its drapery of blood-wrenched red and chilly blue pain. She has not gone gently into that good night; she is a fearless survivor. She has lived through earthquakes and hurricanes and always landed on her feet. I continue to write the poem of my life, blunder through the Gymnopèdes. Mother is playing Scarbo, flitting in and out of the darkness, disappearing and suddenly reappearing. I touch her hand. She hands me a pen.

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About

Published by Tuesday, March 11, 2014 Permalink 0

Jonell Galloway, Food Writer, Editor and Translator, about, résuméI’m Jonell Galloway, a freelance food and travel writer, editor and consultant.

I created The Rambling Epicure in 2011. It is a daily international food ezine, joining the voices of professional food and travel writers from around the world who talk about the art of mindful and sustainable eating, drinking, traveling and living, with an emphasis on good writing and spectacular photos by some of the best in the business.

Based in Switzerland, The Rambling Epicure food writers and artists promote a mindful, responsible approach to real food shopping, cooking, and eating, as well as food politics, safety, history, art, literature and philosophy.

We sponsor this non-profit project through freelance writing, editing and publishing; custom-tailored culinary tours, cooking classes, and tasting events; recipe development and testing; book reviews and sales of recommended books and products, and seminars and workshops on the various subjects we cover. Thank you for supporting us by clicking the Sponsor Us button in the right-hand sidebar.

My Personal Profile

You can learn more about my personal career path in my LinkedIn profile. I’ve been rambling around the world eating food and writing about it for over 30 years now, so there’s a lot to tell.

I ramble mainly in Switzerland and Europe, looking for good food and restaurants. My articles are available on TheRamblingEpicure.com, 10Best.com/USAToday, GenevaLunch.com, Paris Voice and TheRamblingEpicure.tumblr.com.

I studied cooking at the Cordon Bleu and La Varenne in Paris, and wine tasting here, there and everywhere in France and at CAVE S.A. in Geneva and Gland. In France, I worked for some years as a contributing editor for the English edition of the GaultMillau guide and as a food translator, while I ran a small cooking school in a château near Paris. I now live in Switzerland, where I have learned to love the earthy Swiss food and wine. One of my many interests is promoting Les Artisanes de la Vigne et du Vin as an ambassadress for this Swiss women wine producers association and Slow Food, of which I am an active member.

Apart from various restaurant guides for France and Switzerland recently  published books include: Ma Cuisine Méditerranéenne in collaboration with Christophe Certain (in France) and Le tour du monde en 80 pains / Around the World with 80 Breads published by Orphie, in collaboration with Jean-Philippe de Tonnac (part of the French and all of the English) (covers history of bread around the world), André Raboud (Swiss sculptor), Edipresse.

My cooking method is “spontaneous cuisine.” Lessons consist of writing out a tentative menu based on seasonal, local products; going shopping for the products, and adapting the menu according to what is available and fresh; going to the wine seller to select a wine to go with the menu, then going home and cooking all afternoon with my students. The day ends with a candlelight dinner at the château (in the past), and now, at my chapel converted into a house in Chartres or in your home.

I give Mindful Eating seminars and therapy for those who have problem relationships with food and eating in general, helping them reconstruct their lifestyle and relationship to food and eating.

Specialties: French, Swiss and Italian cuisine with a bit of American influence. I believe in healthy, natural, sustainable cooking in the spirit of Slow Food, so all my articles, recipes and classes have this emphasis.

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