The 7 Lives of Bread

Published by Wednesday, September 4, 2013 Permalink 0


The 7 Lives of Bread

by Jean-Philippe de Tonnac

Translated from the French and adapted by Jonell Galloway. Cliquez ici pour la version française.

If you ask an artisan bread baker who is passionate about his work from where he derived his passion, he or she will almost invariably reply, with no hesitation, that it arose out of the “mystery of the fermentation.” Did you know that bread is the result of an alcoholic fermentation, and the baker therefore actually manufactures alcohol? Now how does that come about, you might ask?* (If you’re interested, read the very technical footnote below.)

 

 

 

 

 

 

 

 

 

 

 

It’s not really surprising that a bread baker shares the wine maker’s penchant for the processes of “alteration,” “deterioration,” and “transformation,” which make them both somewhat sorcerers, metaphorically speaking. While a baker talks about bread fermentation, the wine maker continually refers to “maceration,” and the cheese maker to “maturation.” But whether it consists of alcoholic or lactic fermentation, we are still talking about transubstantiation, a sort of “sacrament,” which creates an aura without parallel around these “artists”. They are aware of this, and they know it is at the very heart of their art. Bread baker, cheese maker, wine maker: they all fight the same battle, that of transformation of food, of true metamorphosis.

When does dough become bread?

At the same time, at what point in this long sequence of processes does the product we actually consume merit the name “bread”? This is not an easy question.

In most of our minds, bread is a loaf or a baguette; it is ciabatta in Italy and pumpernickel in Germany. In Iran, they call it sangak, in Denmark, rugbrød, in Jamaica, bammy, eaten straight out of the oven.

Can we call the fat roll of dough after kneading and shaping or left to rise “bread”? Is the dough left to ferment in the dough trough not already bread?

The large sacks of flour that the miller delivers every morning, are they not, in some ways, already bread? Is a grain that we mill, or even a seed that we plant, not bread? Is leftover bread, bread we let dry, whether on purpose or not, and that we use to make croutons for a thick winter’s soup that we lap up like a Jacques Brel song, not also bread?

This 7 Lives of Bread column will explore every facet of bread, walking you through all the phases of transformation, from seed and grain to the end product you savor.

The 7 Lives of Bread will trace the life of a loaf of bread, from its “birth” to its “death”. Bread is therefore:

  1. The grain prepared for milling.
  2. The flour that results from milling.
  3. The dough that seals the coming together of flour and water, a meeting that starts the fermentation process.
  4. The dough roll that is detached from this initial bulk of dough, and then starts down its own individual path.
  5. The dough roll when it is baked in the oven.
  6. The bread we choose at the bread bakery, or the bread we make ourselves.
  7. Stale bread, that can be baked again (the term “biscuit” means literally, in French, “cooked twice”, in the spirit of Melba toast) so as to conserve it for future use.

The latter is typically the bread of sailors and nomads. The Greeks – great seafarers — are given credit for having invented the double cooking process.

The 7 paths: in the sweat of thy face shalt thou eat bread

In the 7 Lives of Bread, we will explore all seven paths of these seven “lives”. If fermentation is at the very heart of bread baking, it can also be considered that all steps – from the cultivation of wheat and milling to the actual bread making itself – are active participants in the transformation process.

This concept is aptly put in Genesis 3:19: In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou [art], and unto dust shalt thou return.

Bread is therefore to be taken in like mother’s milk, earned with the sweat of our brows. Symbolically, it is interesting to attempt to understand why bread has a price, the price of transformation or of conversion: the bread changes to the same degree as the man or woman who makes it.

If we look at it in this light, for ten thousand years now, it is as much bread that has shaped humankind as it is the hands of women and men who have shaped bread. The realization of this reciprocal shaping and, through it, conversion is the starting point of this column.

*The chains of starch (complex carbohydrates, which along with gluten constitute the essence of the endosperm or starchy kernel and quantitatively speaking, the essence of the wheat grain), under the action of enzymes or amylases, are broken down into simple glucose (C6 H12 O6), which is, in turn, converted by yeast or enzymes into either carbon dioxide (2CO2) and ethanol or ethyl alcohol (2C2 H5 OH) and energy.
 
Jean-Philippe de Tonnac is editor of the Dictionnaire Universel du Pain or Universal Dictionary of Bread, published in French by Éditions Laffont on October 16, 2010.
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Les sept vies du pain / The 7 Lives of Bread

Published by Wednesday, September 4, 2013 Permalink 0


de Jean-Philippe de Tonnac

Les sept vies du pain / The 7 Lives of Bread Click here for English version.

Si vous demandez à un artisan boulanger passionné par son métier de vous dire où s’origine sa passion, vous verrez que la plupart du temps, la réponse qui vous est faite a trait de près ou de loin au « mystère de la fermentation ». Saviez-vous que le pain est la résultante d’une fermentation alcoolique et que le boulanger est donc une sorte de fabricant d’alcool ? Comment cela ? Voyez la note *

Pas étonnant alors qu’il partage avec le vigneron ce goût des « corruptions », « dégradations », « transformations » qui fait d’eux des apprentis sorciers. Si le boulanger parle de « fermentation panaire », le vigneron évoque, lui, la « macération », quand, de son côté, le fromager mise sur l’ « affinage ». Mais qu’il s’agisse de fermentation alcoolique ou lactique, nous sommes bien rendu au lieu d’une transsubstantiation qui confère à ces artistes une aura sans pareille. Eux le savent et c’est là que se concentre l’essentiel de leur art. Boulanger, fromager, vigneron : même combat, celui des mutations et métamorphoses alimentaires.

Il est en même temps bien difficile de déterminer, dans la longue séquence de la panification, où se trouve le pain ? Le pain est, très probablement, cette grosse miche, ou cette baguette, ou cette ciabatta (Italie), ou ce pumpernickel (Allemagne), ou ce sangak (Iran), ou ce rugbrød (Danemark), ou ce Bammy (Jamaïque) qui sortent du four. Mais n’est-il pas aussi ce pâton posé sur le tour après façonnage ou laissé en repos dans le parisien ? N’est-il pas cette pâte laissée à fermenter dans le pétrin ou en bac (pointage en masse) ? N’est-il pas dans ces sacs de farine déposés le matin même par le meunier dans le fournil ? N’est-il pas, en amont, un grain qu’on écrase, voire même un grain qu’on sème ? Et en aval, un pain qu’on a laissé, intentionnellement ou non, sécher et qui termine ses jours dans une soupe épaisse dégustée, comme dans la chanson de Jacques Brel, avec des grands « slurp » ?

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Apollonia Poilâne and the Making of the Paris Poilâne Bread “Empire”

Published by Saturday, June 1, 2013 Permalink 0

by Jonell Galloway

Did the French Bread Revolution start with Poilâne Bread?

The familiar French word for friend, “copain,” means “to share bread with each other.”–Apollonia Poilâne, now head of the Poilâne bread “empire”

A humble baker called Pierre Poilâne started a bakery on the rue du Cherche-Midi in Paris in 1932. The 6th arrondissement was not a chic neighborhood at the time; penniless artists lived there, and often paid Poilâne in paintings. We might ask, did the French Bread Revolution start here at 8 rue du Cherche-Midi?

Poilâne used stoneground, unprocessed, whole-grain flour and sourdough starter, baking his bread in a wood oven — then unheard of in Paris, the capital of the baguette. It was unfashionable to eat anything other than white bread. This way of thinking was further reinforced by WWII, during which the French had no choice but to eat heavy, dark bread. He continued making it nonetheless, says France Today, and today, Apollonia Poilâne, Pierre’s granddaughter, runs the bakery.

Until 2007, she studied at Harvard and ran the bakery at the same time, having her personal supply of bread sent to her every week in Boston.

Note the elegant “P” carved into the top of each loaf.

 

 

 

 

 

 

 

 

 

 

 

 

This now-classic Poilâne loaf has a hard, crusty outside and a firm, dense crumb on the inside. It can keep be eaten fresh for up to 5 days after baking, after which it can be toasted.

Inside Pain Poilane bread creative common license http://www.thefreshloaf.com/keyword/pointeacalliere

 

 

 

 

 

 

 

 

 

 

 

 

Pain Poilâne or miche, meaning “round loaf,” weighs in at around 2 kg / 4.4 lb. The recipe is secret, and it is not a whole-grain bread in the traditional sense of the word. Environmentally correct, pesticide-free varieties of wheat are grown and stored. They are then stone-ground, thus preserving the wheat germ. Stone grinding makes it possible to eliminate any coarse bran that might contain impurities.

Poilâne flour is what is called in French farine biseor wheatmeal — a brown flour intermediate between white flour and wholemeal flour — which maintains a higher nutritional value than white flour. Levain or sourdough starter and salt from the salterns of Guérande, a swamp of salt water in Brittany.

Pierre brought this type of bread with him from his native Normandy, where loaves were large and round, in the style of what the French now call “country bread.” Today, it is distributed all over the world.

Apollonia Poilâne, current owner of Poilâne bread bakeries

 

 

 

 

 

 

 

 

 

 

 

 

Pierre’s sons Lionel and Max took over the bakery in 1970. Just like Apollonia, they had learned bread baking by working right alongside their father, and continued the tradition of the original round loaf marked with the signature “P.” They eventually took separate paths, with Lionel keeping the original bakery started by his father, and Max going off on his own to start a bakery under his own name, Max Poilâne. In Paris, people have long discussions over which of the brothers makes/made the better bread, since both have continued to bake their father’s signature recipe.

Lionel Poilâne is better known outside France, since he grew the original family business, making it into an international name. This growth was made possible by his excellent teaching skills and his embracing of modern developments in the industry, such as the use of machine kneading, while at the same time maintaining his father’s philosophy of each baker following and taking responsibility for his or her loaves from start to finish. He referred to his concept as “retro-innovation.”

Lionel and his wife died when their helicopter, piloted by Lionel, crashed in 2002, leaving behind daughters Athena and Apollonia, the latter who is now following in her father’s footsteps. She started running the bakery on graduation from high school.

In this video, Martha Stewart visits the Poilâne bakery in Paris and learns about the bread making process in an interview with 22-year-old Apollonia Poilâne when she was still at Harvard. Click here to watch the video interview of Apollonia by Martha Stewart herself.

 

Martha Stewart

The offiical Poilâne site lists a number of recipes, for making and using some of the Poilâne bread and pastries.

 

Poilâne Bakeries

8 rue du Cherche-Midi, Paris 6th arrondissement
Tel. +33 (0) 1 45 48 42 59
 
49 bld de Grenelle, Paris 15th arrondissement
Tel. +33 (0) 1 45 79 11 49
Open on Sundays
 
38 rue Debelleyme, Paris 3rd arrondissement
Tel. +33 (0) 1 44 61 83 39
Open on Sundays
 
46 Elizabeth Street, London SW1W
Tel. +44 (0) 207 808 4910

 

 

To read more about the French Bread Revolution, see also (bilingual in French and English):

The Revolution of French Bread Baking (part 1), by Jean-Philippe de Tonnac

The Revolution of French Bread Baking (part 2), by Jean-Philippe de Tonnac

Book Review: Jean-Philippe de Tonnac’s “Dictionnaire Universel du Pain” or Universal Dictionary of Bread, by Jean-Philippe de Tonnac

The 7 Lives of Bread: Pascal Auriac, master bread baker in Laguiole, a hidden corner of France, by Jean-Philippe de Tonnac

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Pessah ou la fête des Azymes

Published by Saturday, March 30, 2013 Permalink 0

par Julien Darmon

Click here for English.

Extrait du Dictionnaire Universel du Pain, publié par Bouquins, Robert Laffont

L’obligation de s’abstenir de hamets (pâte levée) durant la fête de Pessah, et donc de consommer uniquement de la matsah (azymes), trouve son explication dans Deutéronome xvi, 3 : « Un pain de pauvreté [‘oni] car tu es sorti en hâte d’Égypte », qu’on interprète généralement comme « la pâte n’a pas eu le temps de lever ». Quelle est cette « hâte » dont il est fait mention ici ? En effet, en Exode xii, 11, cette hâte fait l’objet d’un ordre : « Vous mangerez [le sacrifice pascal] en hâte », tandis qu’en Deutéronome xvi, 3, il s’agit d’une justification : « Tu ne mangeras pas [ce sacrifice pascal] avec du hamets, pendant sept jours tu mangeras des matsot, pain de pauvreté, car tu es sorti en hâte de la terre d’Égypte… » Or, en fait de hâte, voici comment les choses se sont déroulées au moment de la Sortie d’Égypte (xii). Le premier jour du mois de Nissan, Dieu dit à Moïse et à Aaron : « Ce mois sera pour eux le premier des mois […] Les Hébreux feront le sacrifice pascal et mangeront des azymes […] Dès le 10 du mois, ils réserveront un agneau, qu’ils sacrifieront le 14… Durant la nuit suivante, au milieu de la nuit, Dieu frappera tous les premiers-nés […] Alors les Hébreux sortiront d’Égypte. » Donc, depuis au moins le 10 du mois, si ce n’est depuis le 1er ou le 2, tous les Hébreux sont au courant qu’il va falloir manger des azymes dans la nuit du 14 au 15 (qu’on appelle la « nuit du 15 »), et durant les sept jours qui suivent. Donc, les premiers azymes de Pâque ne sont pas des pains qui, à cause du manque de temps, n’ont pas eu le temps de lever, mais des pains qu’on n’a pas laissé lever, délibérément.

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What we’re reading: best cities for street food, India’s women farmers, baker from Kabul, Southern cuisine food trend, etc.

Published by Friday, October 19, 2012 Permalink 0

by Jonell Galloway

Click here to keep up with the latest in world food and wine news.

 

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Meetings with remarkable bakers: The baker from Kabul

Published by Friday, October 19, 2012 Permalink 0

Jean-Philippe de Tonnac

Click here to read original French version

Translated and adapted by Jonell Galloway

Dan de Mirmont, the baker from Kabul

How did it happen that you discovered French cuisine and bread making in Burma, and that today you’ve decided to teach the inhabitants of Kabul about it? This is about Dan de Mirmont’s surprising path, and the reopening of Le Bistro Bakery in October.

Ali, right, head of bread and pastry
baking, and Zobaid, left,
his assistant. Dan de Mirmont, center.

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The Revolution of French Bread Baking (part 1)

Published by Sunday, April 1, 2012 Permalink 1

by Jean-Philippe de Tonnac

Cliquez ici pour la version française.

Translated and adapted by Jonell Galloway

The reinvention of French cuisine: it’s springtime for French cuisine, and it may not all be thanks to French bread bakers, but they are playing a major role

French bread bakers are in the limelight these days, and are considered as much artists as artisans. Marie-Odile Briet recently paid homage to their creativity, unbridled by the French government’s 1993 “bread decree,” defining in very precise terms what could and couldn’t be defined as “bread.” The most illustrious advocates of the art of bread making, which in essence had to be reinvented, were Gontran Cherrier (Paris), Dominique Saibron (Paris), Christophe Vasseur (Paris), Jean-Luc Poujauran (Paris), Basile Kamir (Paris), Eric Kayser (Paris) and Benoît Fradette (Aix-en-Provence).

They merit the name of bread baker, or boulanger, as well as inventors. But we mustn’t leave out the stout-hearted artisans, working quietly in their bakeries in the wee hours of the morning, with no one tooting horns for them, who are nonetheless master bakers. And where there’s smoke, there’s fire, and this is the proof of the true renaissance of the French bread making profession — a renaissance that has spread from a few Parisian arrondissements to the entire country. It is a true phenomenon that has spread its wings far and wide; it is a movement that has started a new chapter in the history of French bread making. In this new paradigm, there is no longer any plausible excuse for bad bread, for flavorless bread, for bread that is too expensive or too anything. The movement is quietly deepening its roots, backed by a history dating back thousands of years, basking in the glow of its established nutritional qualities. But that’s not all: these master bakers are now an integral part of the whole redefinition of French cuisine. Bread is no longer considered a humble food to fill your belly or to sop up your sauce. It is clearly in the public eye.

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Europain 2012 starts Tomorrow March 3 in Paris

Published by Friday, March 2, 2012 Permalink 0

The Europain bread trade show, which starts on March 3rd every second year, starts tomorrow, March 3, 2012. It runs until March 7.

Food Art: Bread Pot, by SandeeA

 

This year’s show includes large sections for artisanal bread making, a smaller one for industrial bread baking, a pastry making section, as well as a new SuccessFood section, dedicated to creative catering and restaurant remakes. Click here for an overview of the various sections.

Click here for a list of the various events going on throughout the show.

It is located at Paris Nord Villepinte outside Paris, France. To get there from Paris, take the RER B commuter train from the Gare du Nord in the direction of “Aéroport Charles de Gaulle,” and get off at the station “Parc des Expositions.”  From Roissy Charles-de-Gaulle airport, take the RER B, and get off at “Parc des Expositions.”

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The Dancing Bread Loaves

Published by Thursday, February 16, 2012 Permalink 0

On the UniversalBread Facebook page, Anne Le Cozannet-Renan just posted this scene of “the dancing bread loaves” from Johnny Depp‘s 1993 comedy “Benny & Joon,” including comedy scenes in the spirit of Charlie Chaplin and Buster Keaton. This scene takes place in a diner, where forks are put into two small baguette-like pieces of bread and the two baguettes are made to dance with each other.

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Our favorite food books of 2011

Published by Friday, December 23, 2011 Permalink 0

by Jonell Galloway

Cookbooks:

Ancient Grains for Modern Meals, by Maria Speck

My favorite cookbook of the year. Maria Speck knows how to incorporate ancient whole grains from around the world into dishes that remain rustic on the edges, but healthy, original and elegant at the same time. The technical explanations about ancient grains are excellent, as well as her explanations about general cooking techniques. The food stories she incorporates here and there about growing up in Greece and Germany add a touch of charm.

A must for any health-conscious real food lover who wants to eat interesting food combinations and dishes with a touch more sophistication that can pleasantly surprise guests, but not take them totally away from their references, because the dishes are for the most part influenced by Mediterranean cuisine.

For poetry-loving foodies:

The Poet’s Cookbook: Recipes from Germany, poems by 33 American poets with German translations

The Poet’s Cookbook: Recipes from Tuscany, poems by 28 Italian and American poets

I love the original concept of these books, pairing a food poem with a recipe. A poem by our Food Poetry Editor, Christina Daub, “Wine“, appears in the Tuscany version.

Farming: A Hand Book, by Wendell Berry

As a Kentuckian, Wendell Berry has forever been my mentor. He is, in my mind, the precursor of the Slow Food philosophy in the U.S., through the philosophy he has cultivated and spread for over 50 years now, well before Petrini and company started the Slow Food movement. Whether writing prose or poetry, he is always eloquent, and the same message of integrity, respect for others and for the land is the central message. This is one more inspiring book of poetry to add to our shelves of books to keep forever, that will comfort us in times of trouble, that we will pick up time and time again when we’re losing faith in humanity, devastated by the disrespect shown to the land, losing touch with our roots. Berry always says what he thinks in all his eloquence and with true gentillesse, but more than that, he lives the life he preaches, and that is consoling.

For food lovers, wine lovers, and culinary travelers:

Food Wine Rome, by David Downie and Alison Harris, published by The Little Bookroom, part of The Terroir Guides series

Food Wine Burgundy, by David Downie and Alison Harris, published by The Little Bookroom, part of The Terroir Guides series

Paris, Paris: Journey into the City of Light, by David Downie

David Downie writes wonderful articles for The Rambling Epicure and Alison does exquisite food photo exhibits for our Food Art section. I can never get enough of their work, because the writing is exquisite and full of literary and historical references, and the photos are truly art. Downie always shows you the insider’s view of whatever he writes about, and Alison has a great eye for catching the very essence of what they’re covering, whether it be truffle hunting or discovering little out-of-the way restaurants in isolated villages. You can never go wrong with their books.

For bread lovers:

Dictionnaire Universel du Pain, by Jean-Philippe de Tonnac

Jean-Philippe de Tonnac also writes for The Rambling Epicure, and has recently become THE bread writer all bakers want to meet. This book should in my mind be translated into English immediately. It offers a wealth of information about bread from time immemorial, covering techniques and breads from around the world, as well as spirituality, sex, gluten intolerance, bakers as poets, bakers as prophets and much more. “Encyclopedia” would be a more appropriate term than “dictionary”.

Mindful eating:

The Self-Compassion Diet: Guided Practices to Lose Weight with Loving-Kindness by Jean Fain

Jean Fain has tried every diet out there, so she can speak with authority about the subject of weight loss. She is also affiliated with Harvard Medical School as a psychotherapist, so she has the credentials to talk about the subject. Her book takes a totally different approach to weight loss than any I’ve seen. She doesn’t count calories and restrict what you eat. Her approach is instead through the mind, to become mindful of what we eat, when we eat (when stressed or lonely, for example), why we eat (out of need to nourish ourselves or out of boredom or frustration); to appreciate what we eat, and above all to be conscious of our entire relationship with food.

The book teaches you how to take control of yourself and your relationship to food so that you can change the way you think about food in general, so that eating becomes a totally different experience. Jean does this through loving-kindness, self-hypnosis, meditation and numerous other weight-loss approaches, which you follow gradually, not all in one go. She also offers a CD including guided meditations to help patients after they have stopped therapy.

Her main thrust is self-love, that we must not be too hard on ourselves, or we’ll fall back in to our old and bad habits quickly. The beauty of the book and CD combination is that you can live half way around the planet and still follow her method.

For lovers of literature: food essays and prose:

Slow Food: Collected Thoughts on Taste, Tradition, and the Honest Pleasures of Food, by Carlo Petrini and Ben Watson

This book consists of an anthology of articles by the world’s top food writers, making me remember the old days when we’d visit the family in the countryside and how I thought it odd that they grew all their vegetables themselves and knew how to can them; how they drank milk straight from the cow (one of my fondest childhood memories), and how we relished in those meals, how it built bonds between us. “Drawn from five years of the quarterly journal Slow (only recently available in America), this book includes more than 100 articles covering eclectic topics from “Falafel” to “Fat City.” From the market at Ulan Bator in Mongolia to Slow Food Down Under, this book offers an armchair tour of the exotic and bizarre. You’ll pass through Vietnam’s Snake Tavern, enjoy the Post-Industrial Pint of Beer, and learn why the lascivious villain in Indian cinema always eats Tandoori Chicken.”

For pastry makers and lovers:

Mich Turner’s  Masterclass: The Ultimate Guide to Cake Decorating Perfection, by Mich Turner, published by Jacqui Small LLP, London

Mitch Turner’s cake decorating book is worthy of a fine art book in its presentation, and of an encyclopedia in terms of the detailed explanations about cake decorating. Her pastry and cakes are truly works of art. A must for all pastry makers, whether professional or amateur.

Food art:

From Plate to Pixel: Digital Food Photography, by Hélène Dujardin

This book is special for many reasons. There are lots of people out there trying to learn food photography without a clue as to even the basic techniques required and no possibility of taking a food photography workshop. This is the book for them, because all the basics plus quite a lot more are explained in a clear, direct manner. It also verges on being an art book, because it is illustrated by Dujardin’s beautiful food photography.

 

 

 

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