Food Art: The Incredible Sensuality of a Lemon, a still life painting by Ralf Heynen

Published by Wednesday, June 5, 2013 Permalink 0

 

 

 

 

 

 

 

 

 

 

 

 

Ralf Heynen is a contemporary still life and portrait painter from the Netherlands.

The incredible twists of the lemon peel bring a particular energy to this painting. Although it appears to be simple, the lemon peel is hanging on to the pulp of the lemon itself for dear life, just by a string. Meanwhile, the lemon is staid, still, unflinching in its almost perfect roundness. It looks heavy and sure of itself as compared to the peel, which is thick and rough and “struggling” to wrench itself from the body of the fruit or “mother”.

Click here to see more of Ralf’s work.

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Food Art: Polpo / Octopus, food photography by Alessandro Boscolo Agostoni

Published by Wednesday, June 5, 2013 Permalink 0

This photo appears in Alessandro’s ongoing exhibit, Italian Food Rambling, on this site.

 

 

 

 

 

 

 

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

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A Mesolithic Dinner: Food, Wine and Art by Jane Le Besque

Published by Tuesday, June 4, 2013 Permalink 0

by Jonell Galloway

A Mesolithic Dinner: Food, Wine and Art by Jane Le Besque

 

Jane Le Besque hosted a “mesolithic dinner” on June 30, 2013, in her home in the Pays de Gex just over the border in France, an event sponsored by Slow Food Geneva. The dinner was cooked using ancient flavor combinations and techniques, and served on split logs onto which slate plates were placed and used as plates.

What Food Did Jane Le Besque Serve at Her Mesolithic Dinner?

Although Jane’s dinner was labeled “Mesolithic”, it was indeed much more than that. She covered the evolution of food from the post-glacial hunter-gather periods, through the Mesolithic and Neolithic, and going on to the Ancient Greeks and Romans, centering on Europe.

It started with the Mesolithic era, with an assortment of coastal and lake fish, eel, root vegetables and wild greens. The meal then slipped in to the Neolithic era with galettes made from ground lentils, peas and barley, served with spit-roasted boar. The menu ended with an Iron-Age “travelers pack” of dried fruits and dried-porridge slices fried in cumin and butter. The Bronze Age brought blue cheese and butter.

Drinks consisted of mead, more often referred to as “honey wine,” more in the style of the ancient Greeks and Romans than of more ancient peoples, and beer.

What is the Mesolithic?

As a reminder, the Mesolithic Age refers to the pre-agricultural period between 10,000 and 5,000 BCE in Europe, and variations of this period in other parts of the world. The term “pre-agricultural” is key in understanding what ingredients were available. The three terms paleolithic, mesolithic and mesolithic refer to what is generally called the “Stone Age,” i.e. the post-glacial hunter-gatherer period, when humans started to use stone tools and food was gathered rather than farmed.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

During the early Stone Ages or paleolithic (2.6 million years ago to around 10,000 BP), humans used some stone tools and utensils, but many tools were made from organic matter such as bone, fibers, and wood. Hunting and gathering were the chief ways of providing food. During the neolithic, starting around 10,200 BCE and ending between 4,500 to 2,000 BCE, depending on the location, we saw the beginning of farming. The mesolithic overlapped the other two ages, once again, at different times in different places. Metal tools brought these three Stone Ages to an end.

Jane Le Besque, artist and Mesolithic chef, serving mead

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Early Stone Age cooking was generally on leaves or directly over the embers, although clay cookware has recently been found in China dating from 19,2000–20,000 years ago, during the ice age. Stone Age plates usually consisted of a rock or other flattish surface found in nature, such as the flattened split logs Jane used in the same manner as we use wooden tables today. Earthenware did not appear on the dinner table until much later.

What Did You Usually Eat at Mesolithic Dinners?

What did they eat? Pretty much whatever they found and killed that was edible: meat, fish, wild plants. The specifics of this depended on the location, climate and season. Meals included the day’s finds. This might consist of berries, wild greens and other wild vegetables and plants.

Meat and later fish were not an everyday affair. They were difficult to come by and difficult to preserve, depending on the location (salt was found in Romania as early as 10,000 years ago). Stone  Age people ate very little grain, since agriculture didn’t exist yet. Hazelnuts and other nuts were often roasted, and stored for winter. Wild boar was common; dairy products and cheese were on the menu, although a limited variety.

About Jane Le Besque

Jane Le Besque lives and works with her family at the foot of the French Jura, a few minutes from Geneva, in the foothills of the Jura mountains.

She was born in England and has a Breton grandfather, hence the name. Since graduating from Birmingham Art College in 1986, she continued her studies at l’Ecole des Beaux Arts in Paris. She afterwards lived and worked in Toulouse, London, and now outside Geneva.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jane has always painted. She is her happiest walking through the woods and gathering berries, mushrooms, acorns, flowers and leaves to use in her cooking and painting.

One might say Jane has been interested in mesolithic cooking even before she learned the word. As a child, she spent her time gathering the wild things she now uses in her paintings,  making dresses out of them.

Her paintings are an intense reflection of her “gatherer” spirit. The Mesolithic dinner was held in her studio, lined with her paintings of flora of all types.

 

 

 

 

 

 

 

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Food Art: Still Life with Mouse, by Italian Female Painter Giovanna Garzoni

Published by Friday, May 31, 2013 Permalink 0

 by Jonell Galloway

Food Art: Still Life with Mouse, Painting by Giovanna Garzoni

 

 

 

 

 

 

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Food Art: Cinghiale alla liquirizia / Wild boar and licorice, food photography by Alessandro Boscolo Agostini

Published by Thursday, May 30, 2013 Permalink 0

 

 

 

 

 

 

 

 

 

A wildly inventive take on a well-loved Italian dish: wild boar and licorice: food photography by Alessandro Boscolo Agostini.

 

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

Today, I rob with no qualms, and I confess it with no shame. My spoils are my sensations, emotions, lines, colours, compositions: I catch everything that stops in front of my camera, I catch it with a click to close it in a graphic cage. It doesn’t matter if its a catalogue or a magazine. What I’m really interested in is the look, my view of the world. In the millions of images that pass in front of my eyes every day, that go on around me, that chase me in my silence. For this reason I  photograph subjects of any kind and still do it every day without specializing in anything in particular. From a luxury hotel suite, to the sexy transparencies of Murano glass. From art exhibitions to a ballet. From a golf course to actors on a stage. The list can go on and on, while this bio must finish here. I hope that I haven’t once more been a thief, that I haven’t taken up to much of your time. If this was the case, please don’t report me to the police, because I will give myself immediately up: I’m Alessandro Boscolo Agostini!

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Food Art: Italian Food Rambling, a food photography exhibition by Alessandro Boscolo Agostini

Published by Monday, May 27, 2013 Permalink 0

 

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

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Food Art: Taglioni Violi, food photography by Alessandro Boscolo Agostini

Published by Thursday, May 23, 2013 Permalink 0

 Food Art: Taglioni Violi, food photography by Alessandro Boscolo Agostini

 

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

Today, I rob with no qualms, and I confess it with no shame. My spoils are my sensations, emotions, lines, colours, compositions: I catch everything that stops in front of my camera, I catch it with a click to close it in a graphic cage. It doesn’t matter if its a catalogue or a magazine. What I’m really interested in is the look, my view of the world. In the millions of images that pass in front of my eyes every day, that go on around me, that chase me in my silence. For this reason I  photograph subjects of any kind and still do it every day without specializing in anything in particular. From a luxury hotel suite, to the sexy transparencies of Murano glass. From art exhibitions to a ballet. From a golf course to actors on a stage. The list can go on and on, while this bio must finish here. I hope that I haven’t once more been a thief, that I haven’t taken up to much of your time. If this was the case, please don’t report me to the police, because I will give myself immediately up: I’m Alessandro Boscolo Agostini!

Il mio amore per la fotografia ha inizio con un furto: da piccolo rubai la Vöiglander di mio padre e cominciai a scattare così, d’istinto. All’epoca quella mi sembrava la macchina fotografica più bella del mondo, almeno fino a quando, in prima media, non la tradii per una Bencini tutta mia. Ma il contrappasso per il piccolo delinquente che ero arrivò molto presto, perché una fidanzatina a cui la prestai, non me la restituì mai: di fatto, anche quello fu un piccolo furto! Crescendo, ho rubato ancora: ai tempi del Liceo ho sottratto tempo alla passione per la fotografia dedicandomi per alcuni anni al jazz e allo studio della batteria, altro mio grande amore. Ma è stata solo una gran bella bionda di passaggio, perché alla fine sono tornato dalla mia “vecchia” per non lasciarla più. Anzi, come pegno d’amore, per lei ho mandato a quel paese gli studi storici con sommo dolore di parecchie persone, ma non certo il mio. Oggi, lo confesso, rubo senza più sensi di colpa. Il mio bottino sono sensazioni, emozioni, linee, colori, composizioni: ciò che si ferma davanti al mio obiettivo lo faccio mio, lo catturo con un click, magari per rinchiuderlo in una gabbia grafica. Non importa se è la gabbia di un catalogo oppure quella di una rivista. A me interessa lo sguardo, il mio sguardo sul mondo. Sui miliardi di immagini che ogni giorno attraversano la mia vita, le scorrono intorno, mi seguono in silenzio. Per questo ho fotografato di tutto e continuo a farlo, senza scegliere di dedicarmi a un settore soltanto. Perché tutto può essere immagine, una buona immagine. Da una suite di un hotel di lusso, alle trasparenze seducenti di un vetro di Murano. Da una mostra d’arte a uno spettacolo di danza. Da un campo da golf, agli attori su un set di un film. L’elenco potrebbe continuare, mentre questo scritto si chiude qui. Spero di non aver compiuto l’ultimo furto di questa storia, ossia di avervi rubato troppo tempo. Se fosse così, non denunciatemi, perché mi costituisco subito: sono Alessandro Boscolo Agostini!

 

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Food Art: Tiramisù, food photography by Alessandro Boscolo Agostini

Published by Tuesday, May 14, 2013 Permalink 0

 

Food Art: Tiramisù, food photography by Alessandro Boscolo Agostini

Bio of Alessandro Boscolo Agostini

Bilingual English/Italiano

My first love for photography started with a little theft: as a little boy I stole my father’s Vöiglander and I started taking pictures on my own, just using my instinct. At that time my father’s camera seemed to me the best camera possible in the whole world, until I reached junior high school and I gave it up for a Bencini all my own. But my little theft came all back to me; my girlfriend to whom I had lent my camera never gave it back to me: that can be considered petty theft, no?

Growing up, I robbed again: in high school I stole time I might have devoted to photography and dedicated myself to my other passion, music. I studied drums and played jazz music. But it was just an infatuation, because I went back to my first love and never left it again. And as a pledge of love, I gave up my history studies in college, causing great distress to many people, but not to myself.

Today, I rob with no qualms, and I confess it with no shame. My spoils are my sensations, emotions, lines, colours, compositions: I catch everything that stops in front of my camera, I catch it with a click to close it in a graphic cage. It doesn’t matter if its a catalogue or a magazine. What I’m really interested in is the look, my view of the world. In the millions of images that pass in front of my eyes every day, that go on around me, that chase me in my silence. For this reason I  photograph subjects of any kind and still do it every day without specializing in anything in particular. From a luxury hotel suite, to the sexy transparencies of Murano glass. From art exhibitions to a ballet. From a golf course to actors on a stage. The list can go on and on, while this bio must finish here. I hope that I haven’t once more been a thief, that I haven’t taken up to much of your time. If this was the case, please don’t report me to the police, because I will give myself immediately up: I’m Alessandro Boscolo Agostini!

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Food Art: Breaking Bread, watercolor painting by Thomas Needham, 2012

Published by Tuesday, May 14, 2013 Permalink 0

 

 

 

 

 

 

 

 

 

 

 

A New Series on The Rambling Epicure: Food Art: Breaking Bread

Click here to read more about Thomas Needham’s contemporary paintings and biography, for sale on his website.

 

 

 

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Reference Reading: Food Art at the Frieze Art Fair in Manhattan

Published by Sunday, May 12, 2013 Permalink 0

The Rambling Epicure loves Food Art of all kinds and the Frieze Art Fair on Randall’s Island, Manhattan, and two artists at the Soho Restaurant FOOD have recreated the menus. When artists become foodies…

 

 

 

 

 

 

 

 

 

 

Read more about it in The New York Times Diner’s Journal, “Celebration of Food and Art,” an article by Elaine Louie.

 

 

 

 

 

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